King Krule

King Krule is the primary alias of <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Archy Marshall</a>, a native Londoner whose peculiar combination of grim if wit-peppered songwriting and volatile baritone vocals drew early comparisons to disparate punk forebears such as <a href="spotify:artist:2A09V0kHlETOFfT8Hz8oba">Joe Strummer</a> and <a href="spotify:artist:68lZHeroea1NAuEDsfBUjv">Shane MacGowan</a>. <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> was merely a teenager when he was likened to these and other figures who didn't hit their stride until their mid-twenties. It wasn't long before <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> made his individuality apparent with elements of no wave, punk jazz, dub, and hip-hop gradually permeating his sound -- one further distinguished by his jagged style of rhythm guitar -- and adding color to his poetic gutter narratives. In addition to his mid-teens output as Zoo Kid and a later recording under his birth name, <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> has released four albums as King Krule: 6 Feet Beneath the Moon (2013), the Mercury Prize-nominated The Ooz (2017), Man Alive! (2020), and Space Heavy (2023).

Originally from Southwark, <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> was raised by artistic parents. He is the godson of drummer <a href="spotify:artist:0RRIyS3UoeXMuzfWUeBOP8">Dave Ruffy</a> (<a href="spotify:artist:1uJKSAvQROYPgm7qhZkqd3">Ruts</a>), and as a youngster regularly saw his uncle Ollie Howard play in a ska band called Top Cats. <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> was writing and recording before the age of 12, and at 14, in 2008, entered Glastonbury Festival's unsigned artist competition. In 2010, under the name Zoo Kid, he released the digital download-only U.F.O.W.A.V.E. EP, from which two songs -- "Out Getting Ribs" and "Has This Hit" -- were issued on 7" vinyl by the <a href="spotify:search:label%3A%22House+Anxiety%22">House Anxiety</a> label. <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> then dubbed himself King Krule, after King Creole, a film starring <a href="spotify:artist:43ZHCT0cAZBISjO8DG9PnE">Elvis Presley</a>, and in 2011 returned with a self-titled EP for the <a href="spotify:search:label%3A%22Matador+Records%22">Matador Records</a>-owned <a href="spotify:search:label%3A%22True+Panther+Sounds%22">True Panther Sounds</a>. The next year, he released a one-off single for <a href="spotify:search:label%3A%22Rinse%22">Rinse</a> and was longlisted for the BBC Sound of 2013 (won by <a href="spotify:artist:4Ui2kfOqGujY81UcPrb5KE">HAIM</a>).

After he signed a U.K. deal with <a href="spotify:search:label%3A%22XL+Recordings%22">XL Recordings</a> and performed at Glastonbury, <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> completed his debut LP, 6 Feet Beneath the Moon. Issued in August 2013 on his 19th birthday, it combined previously released material with new songs highlighted by "Easy Easy," "Baby Blue," and "A Lizard State," and peaked on the U.K. album chart at number 65. It also registered on the Billboard 200 in the U.S., where <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> continued to be supported by <a href="spotify:search:label%3A%22True+Panther%22">True Panther</a>. He then collaborated with his brother Jack for A New Place 2 Drown, a comparatively fluid and more electronic set of recordings -- issued in December 2015 with a book of poetry, photography, and art -- credited to <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Archy Marshall</a> rather than King Krule. At this point, <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a>'s extracurricular recordings included featured appearances on songs by <a href="spotify:artist:3NUtpWpGDoffm3RCGhSHtl">Mount Kimbie</a>, <a href="spotify:artist:033SbxhTUZBwoxtUDxJ9Vl">Ratking</a>, and <a href="spotify:artist:4pVWSc4qEC6U3yIjQleh90">Trash Talk</a>.

A sequence of disparate previews -- the dreamlike ballad "Czech One," the midtempo rocker "Dum Surfer," and the rumbling "Half Man Half Shark," all featuring saxophone from Ignacio Salvadores -- built anticipation for the October 2017 arrival of The Ooz, the second King Krule album. Greeted with more commercial success and adulation than the debut, the scattered double-LP reached number 23 in the U.K. and number 114 in the U.S., figured prominently in year-end lists from numerous publications, and was up for that year's Mercury Prize. <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> reappeared in early 2020 with hints about the third King Krule album. Man Alive!, considerably more concise and only slightly less grim than the artist's previous full-lengths, landed that February. Despite the album's title, it wasn't recorded in front of a concert audience. That honor went to 2021's You Heat Me Up to Cool Me Down. Its 17 tracks were culled from tapes of the three shows King Krule actually managed to play before the COVID-19 pandemic lockdowns in 2020.

April 2023 saw the release of "Seaforth," the lead single from his fourth studio long-player, Space Heavy, which appeared later that June. The album, <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a>'s fourth as King Krule, was written between 2020 and 2022, literally while commuting between London and Liverpool. <a href="spotify:artist:2pLvihTVAElhBCw7HcrIUC">Marshall</a> became preoccupied with the notion of "the space between" and expanded that metaphor as the album's overarching theme. He wrote most of the lyrics solo, and composed and recorded music with producer Dilip Harris and his road band. ~ Andy Kellman, Rovi