La Boum Fatale

The musical alter ego of musician and producer Antonio de Spirt started out of nowhere with surprising ease and the secret hit &#34;AAA&#34; as well as a couple of remarkable electronica listening beauties. Rather than following the usual releasing routine, de Spirt allows himself the luxury of the experiment. With an open outcome he works on driving live gigs in different set-ups, tries out music on the edge of graphic design, collaborates with producers like <a href="spotify:artist:6NjPS5yGVTioKlN7NsA6Is" data-name="Glenn Astro">Glenn Astro</a> or <a href="spotify:artist:3Jzy4I2ATG22T6bZB24ToD" data-name="Sieren">Sieren</a> and pulls out unconventional remixes.

In the meantime de Spirt is on the road a lot between his hometown Berlin and Hamburg. He spends the drives to think about new music and to work on new material finally. It may be the desolation of the dumps alongside the route, the once blooming landscapes, the left chances: de Spirt finds himself set back in the 90s and seeks to find reminiscences to this weird time for the music of La Boum Fatale. Everything is possible, beginning and adventure. At this breakpoint he tames cluttered sketches, livens up bony jungle, lets East and West dance together.

La Boum Fatale has always been testimony of cooperations, of creative exchange and friction. Most parts of his album &#34;Holygram&#34; are joint works with artists, whose output de Spirt appreciates a lot. He offers the music as a field for experimentation and is calm enough to basically impose no conditions. Tracks like the heated &#34;No Tongue In Cheek&#34;, sung by Danish artist <a href="spotify:artist:47rOF45mpciP0KFUlBqKUX" data-name="Asbjørn">Asbjørn</a> prove the open approach to be right.