Last updated: 10 hours ago
L’itch, hailing from Mechelen and formed by members from Antwerp, Ghent, and Aalst, burst onto the Flemish scene by winning silver at the Maanrockrally in 2018, earning their first record deal. Their debut album Urges (2020) was uniquely crafted in an abandoned hospital, infusing the record with eerie intensity and atmosphere.
In 2024, they returned with A Numbers Game, a bold sophomore effort they aim to use to reshape Belgian rock. It has earned them Spotify editorial features and praise from outlets like Humo and Luminous Dash. Known for their ferocious live presence, they’re a visceral live act not to be missed.
On stage, L’itch have earned a reputation as one of Belgium’s most explosive live acts. Frontman Sander Rom throws himself into every lyric with reckless conviction, while guitarist Kobe Walleghem delivers sharp, inventive lines that cut through the noise. Jeroen De Vos (bass) and Sander Blok (drums) form a rhythm section as precise as it is punishing, giving the chaos a backbone of steel. It’s tight, it’s loud, and it’s always a little dangerous—in the best way.
And the sound? Call it post-punk, noise-pop, power-pop, grunge, or whatever label you like—it never quite fits. L’itch have carved out something entirely their own, a volatile blend of chaos and craft that hits with the force of a collision yet lingers with unexpected comfort.
In 2024, they returned with A Numbers Game, a bold sophomore effort they aim to use to reshape Belgian rock. It has earned them Spotify editorial features and praise from outlets like Humo and Luminous Dash. Known for their ferocious live presence, they’re a visceral live act not to be missed.
On stage, L’itch have earned a reputation as one of Belgium’s most explosive live acts. Frontman Sander Rom throws himself into every lyric with reckless conviction, while guitarist Kobe Walleghem delivers sharp, inventive lines that cut through the noise. Jeroen De Vos (bass) and Sander Blok (drums) form a rhythm section as precise as it is punishing, giving the chaos a backbone of steel. It’s tight, it’s loud, and it’s always a little dangerous—in the best way.
And the sound? Call it post-punk, noise-pop, power-pop, grunge, or whatever label you like—it never quite fits. L’itch have carved out something entirely their own, a volatile blend of chaos and craft that hits with the force of a collision yet lingers with unexpected comfort.
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