Last updated: 13 hours ago
Makawhyz, born Prosper Akachukwu Ugochukwu, is a rising Nigerian artist from Imo State, born in the early 2000s. And his goal is to be among the best. Known for his distinct unique voice and emotionally raw lyrics, Makawhyz is carving out his lane in the world of Afrofusion and Afro-depression, blending rhythm, melody, and storytelling to express real-life struggles, street energy, and soul-deep emotions.
He first entered the music scene with his debut single “DORA”, recorded using BandLab, marking the beginning of his artistic journey. Now, he makes a bold entrance into the original soundscape with his official debut single “Biggy Man”, a track that reflects his growth and creative vision.
The name Makawhyz was born during a rap challenge and quickly became a symbol of his identity — questioning norms, breaking rules, and always keeping it real. Versatile in nature, Makawhyz’s sound can twist across genres, from street hop to amapiano to melodic trap, showing a dynamic range and hunger to evolve.
Whether he’s delivering smooth melodies or gritty bars, Makawhyz is more than an artist — he’s a voice for the unheard, a storyteller for the streets, and a dreamer determined to turn pain into purpose.
He first entered the music scene with his debut single “DORA”, recorded using BandLab, marking the beginning of his artistic journey. Now, he makes a bold entrance into the original soundscape with his official debut single “Biggy Man”, a track that reflects his growth and creative vision.
The name Makawhyz was born during a rap challenge and quickly became a symbol of his identity — questioning norms, breaking rules, and always keeping it real. Versatile in nature, Makawhyz’s sound can twist across genres, from street hop to amapiano to melodic trap, showing a dynamic range and hunger to evolve.
Whether he’s delivering smooth melodies or gritty bars, Makawhyz is more than an artist — he’s a voice for the unheard, a storyteller for the streets, and a dreamer determined to turn pain into purpose.
