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Marc Johnson gained his initial reputation as a member of <a href="spotify:artist:4jXfFzeP66Zy67HM2mvIIF">Bill Evans</a>' last rhythm section and his work with Bass Desires (a group featuring both <a href="spotify:artist:3SONlwqLIP2GtaMh9pLYe5">Bill Frisell</a> and <a href="spotify:artist:14RXohtx6NiBGFTW8IdmAK">John Scofield</a> on guitars) showed off his versatility. While at North Texas State University, Johnson played with a group that included <a href="spotify:artist:3yjmQDYGp9XYnFwptDvYc4">Lyle Mays</a>. He was with <a href="spotify:artist:2KSxJY1WxGGVYSmoM0N54P">Woody Herman's Orchestra</a> (1977), <a href="spotify:artist:4jXfFzeP66Zy67HM2mvIIF">Bill Evans</a> (1978-1980), <a href="spotify:artist:0FMucZsEnCxs5pqBjHjIc8">Stan Getz</a> (1981-1982), and <a href="spotify:artist:1OCdpTg8d7Ehpj8B9j4iqa">John Abercrombie</a> (1983) before forming Bass Desires (1985). The latter group recorded two intriguing albums for ECM. In 1989, Marc Johnson made a series of duets with various all-stars for EmArcy and in 1993, he led the group Right Brain Patrol, a trio with guitarist <a href="spotify:artist:2CH9bD5RtnDcm9O23JByN7">Ben Monder</a> and percussionist <a href="spotify:artist:13TxYlQsBj3sUlIuyqMz6g">Arto Tuncboyaci</a> that recorded for JMT. He landed at Verve for 1997's The Sound of Summer Running; If Trees Could Fly followed two years later. ~ Scott Yanow, Rovi
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