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“Are You Haunted?” asks the title of Methyl Ethel’s fourth album. But it’s more of a rhetorical question. Jake Webb, who adopted the fibreglass-referencing moniker for a bedroom recording project in 2014 and has carried it through the band’s many iterations, already knows the answer. Yes, you’re haunted. We all are, and the real question is: what do we do with our hauntings?
Methyl Ethel has never shied away from themes of memories that overstay their welcome, nightmares or preoccupations that linger in the psyche. But with Webb’s latest longplayer, a more direct and poignant interpretation of haunting takes centre stage: themes of mortality, irretrievable time and heavy presences suffuse the album’s nine tracks. Themes that might make for a sombre listen if it wasn’t for Webb’s knack for exhilarating arrangements, addicting hooks, curious textures and propulsive, syncopated rhythms; elements that add up to a joyous, giddy listen, even if there’s threads of melancholy and anxiety woven through.
It’s an album haunted by the uncertain future, as well as the dauntingly unchangeable past: dearly departed friends, missed opportunities, forks in the road. With upright piano, glitching sound-samples and sanguine beats at the album’s emotional core, it’s a strange and beguiling journey; perhaps Webb’s weirdest, but also most undeniably pop-leaning and danceable record to date.
Methyl Ethel has never shied away from themes of memories that overstay their welcome, nightmares or preoccupations that linger in the psyche. But with Webb’s latest longplayer, a more direct and poignant interpretation of haunting takes centre stage: themes of mortality, irretrievable time and heavy presences suffuse the album’s nine tracks. Themes that might make for a sombre listen if it wasn’t for Webb’s knack for exhilarating arrangements, addicting hooks, curious textures and propulsive, syncopated rhythms; elements that add up to a joyous, giddy listen, even if there’s threads of melancholy and anxiety woven through.
It’s an album haunted by the uncertain future, as well as the dauntingly unchangeable past: dearly departed friends, missed opportunities, forks in the road. With upright piano, glitching sound-samples and sanguine beats at the album’s emotional core, it’s a strange and beguiling journey; perhaps Webb’s weirdest, but also most undeniably pop-leaning and danceable record to date.
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