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A Queens rapper with a streetwise attitude as well as a few ties to <a href="spotify:artist:59wfkuBoNyhDMQGCljbUbA">Puff Daddy</a>'s pop-rap empire of the late '90s, Mic Geronimo grew up listening to <a href="spotify:artist:1P8IfcNKwrkQP5xJWuhaOC">LL Cool J</a> and <a href="spotify:artist:6futYSDVulYR2PktBjTB5W">Big Daddy Kane</a>, plus soul acts like <a href="spotify:artist:7guDJrEfX3qb6FEbdPA5qi">Stevie Wonder</a> and <a href="spotify:artist:5a2EaR3hamoenG9rDuVn8j">Prince</a>. Discovered by producer <a href="spotify:artist:6jBZBnyIYxyLIEFp6f2SbF">Irv Gotti</a> (DJ Irv) at a talent show, Mic Geronimo signed to Blunt/TVT and debuted with the 1995 LP The Natural. TVT wasn't exactly the most respected label in hip-hop, and the album made few waves despite the presence of several hard-hitting early singles, "Shit's Real" and "Masta I.C." The 1997 album Vendetta saw him with a higher profile, working with <a href="spotify:artist:59wfkuBoNyhDMQGCljbUbA">Puff Daddy</a>-related acts <a href="spotify:artist:0A7g2YbCA9FlyZvAG6VmKP">the LOX</a> and the producer himself on the single "Nothin' Move but the Money." ~ John Bush

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