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On the heels of two Grammy-winning albums with her band Golden Highway and a Best New Artist nomination, Molly Tuttle returns with her most dazzling solo album yet: So Long Little Miss Sunshine. Produced by Jay Joyce, the LP finds Molly going to a whole new place, blending pop, country, rock, and flat-picking, plus one murder ballad and a surprising cover of Icona Pop and Charli XCX’s “I Love It.” Molly’s stunning guitar work is more up-front on this album than ever before.
Tuttle spent five years quietly building the album while touring extensively and releasing music. “I’ve been wanting to make this record for such a long time,” she says. “Part of me was scared to do such a big departure... It’s like, ‘You know what? I’m just not going to care what people think. I’m going to do what I want.’”
Known for pushing bluegrass boundaries, Tuttle leans fully into reinvention here. “I like to be a bit of a chameleon with my music,” she says. “Keep people guessing and keep it full of surprises.”
Tuttle also conceived the album artwork, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. (“I probably own as many wigs as I own guitars,” she says.) Bald since age three due to alopecia areata, Tuttle is a spokesperson for the National Alopecia Areata Foundation.
With So Long Little Miss Sunshine, Tuttle fully steps into her voice—fearless, unfiltered, and entirely her own.
Tuttle spent five years quietly building the album while touring extensively and releasing music. “I’ve been wanting to make this record for such a long time,” she says. “Part of me was scared to do such a big departure... It’s like, ‘You know what? I’m just not going to care what people think. I’m going to do what I want.’”
Known for pushing bluegrass boundaries, Tuttle leans fully into reinvention here. “I like to be a bit of a chameleon with my music,” she says. “Keep people guessing and keep it full of surprises.”
Tuttle also conceived the album artwork, which features multiple Mollys, each wearing a different wig except for one with nothing on her head at all. (“I probably own as many wigs as I own guitars,” she says.) Bald since age three due to alopecia areata, Tuttle is a spokesperson for the National Alopecia Areata Foundation.
With So Long Little Miss Sunshine, Tuttle fully steps into her voice—fearless, unfiltered, and entirely her own.
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