Last updated: 3 hours ago
Monde UFO, LA-based duo of Ray Monde and Kris Chau, are a monochromatic sunset for the senses. A sonic journey through psychedelia, space rock and jazz. A cosmic space where Spacemen 3 meets Vanishing Twin, by way of Sun Ra. 7171 perfectly embodies the framework of lo and hi-fi sounds which have helped define the band.
In a downtown LA warehouse, Ray Monde began writing songs for a project that eventually became Monde UFO. Utilizing the organ as a bass, alongside keyboards and a drum machine, he began making demos on a four-track cassette recorder, adding only vocals and guitar to the organ pieces. He explored making haunting and optimistic sounds while living in Skid Row as a one-man band. Heavily influenced by the musician Sandy Bull, sonically landing in a similar no-man’s land of Worldly Jazz and Psych Folk. Monde experimented with the themes mostly of meditation and UFO lore. In time Ray moved in with the artist Kris Chau. With little crossover in musical tastes, they exclusively started listening to jazz, ambient and new age music in the house. Ray thought it would be interesting to add Chau into his music project envisioning something that would sound like Don Cherry making a record with Yo La Tengo. Chau, with no previous musical experience, would play a sacral singing bowl mic’d up though various guitar pedals and singing. By incorporating Kris, a non-musician, there was an added emphasis on simplicity and innocence.
In a downtown LA warehouse, Ray Monde began writing songs for a project that eventually became Monde UFO. Utilizing the organ as a bass, alongside keyboards and a drum machine, he began making demos on a four-track cassette recorder, adding only vocals and guitar to the organ pieces. He explored making haunting and optimistic sounds while living in Skid Row as a one-man band. Heavily influenced by the musician Sandy Bull, sonically landing in a similar no-man’s land of Worldly Jazz and Psych Folk. Monde experimented with the themes mostly of meditation and UFO lore. In time Ray moved in with the artist Kris Chau. With little crossover in musical tastes, they exclusively started listening to jazz, ambient and new age music in the house. Ray thought it would be interesting to add Chau into his music project envisioning something that would sound like Don Cherry making a record with Yo La Tengo. Chau, with no previous musical experience, would play a sacral singing bowl mic’d up though various guitar pedals and singing. By incorporating Kris, a non-musician, there was an added emphasis on simplicity and innocence.
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