Last updated: 6 hours ago
Motorique debuted in 2016 with the single Surfer on the label Sound Of Copenhagen and the song was immediately in rotation in Danish radio. Since, the band's concerts has been selling out at numerous venues in Denmark. Their concerts at SPOT Festival in Aarhus (DK) in 2018 and 2019 was highlighted by music magazines Soundvenue and Bands of Tomorrow as among the best shows of the festival.
Same year as they released their second EP "Information" Motorique was one of four specially picked out Danish bands by the ByLarm-festival jury in Oslo.
Motorique has also received attention internationally for their colorful and contrasting style of music in magazines around Europe including Vice, Bitchslap, Pouledor and Soundkartell. Furthermore, Motorique’s music has been used in the soundtrack for the award-winning film, “A Horrible Woman”, by Christian Tafdrup (DK).
MOTORIQUE’s artistic work is about looking into the eyes of a dystopian future of drones, surveillance, greedy businessmen, mass suicide and love reduced to a product in a German hypermarket. The music puts up sharp contrast between cool drum machines and synthesizers against a tropical mood of congas, piña colada and palm trees.
”The band appeared extraordinarily hungry and turned on – from leadsinger Lennart Dybdal’s Giorgio Moroder-like talkbox-trips to Buster Jensens virtuoso guitar style and Mads Lassens extremely tight drumming.”- Soundvenue.com
Same year as they released their second EP "Information" Motorique was one of four specially picked out Danish bands by the ByLarm-festival jury in Oslo.
Motorique has also received attention internationally for their colorful and contrasting style of music in magazines around Europe including Vice, Bitchslap, Pouledor and Soundkartell. Furthermore, Motorique’s music has been used in the soundtrack for the award-winning film, “A Horrible Woman”, by Christian Tafdrup (DK).
MOTORIQUE’s artistic work is about looking into the eyes of a dystopian future of drones, surveillance, greedy businessmen, mass suicide and love reduced to a product in a German hypermarket. The music puts up sharp contrast between cool drum machines and synthesizers against a tropical mood of congas, piña colada and palm trees.
”The band appeared extraordinarily hungry and turned on – from leadsinger Lennart Dybdal’s Giorgio Moroder-like talkbox-trips to Buster Jensens virtuoso guitar style and Mads Lassens extremely tight drumming.”- Soundvenue.com
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