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English dream pop outfit Mt. Wolf's atmospheric blend of chamber pop, folk, electronic, and R&B has drawn comparisons to artists like <a href="spotify:artist:53KwLdlmrlCelAZMaLVZqU">James Blake</a>, <a href="spotify:artist:6l77PmL5iuEEcYjGl8K6s7">Bat for Lashes</a>, <a href="spotify:artist:4LEiUm1SRbFMgfqnQTwUbQ">Bon Iver</a>, and <a href="spotify:artist:56ZTgzPBDge0OvCGgMO3OY">Beach House</a>. Formed in 2011, initially as a quartet, the band issued their debut EP, Life Size Ghosts, in 2012, followed by a second EP, Hypolight, in 2013. The band's elegant and brooding pop confections found favor with both critics and the public, but the departure of co-founder and lead vocalist Kate Sproule in 2014 rendered the band's future uncertain.

Regrouping as a trio around vocalist Sebastian "Bassi" Fox, guitarist Stevie McMinn, and drummer Al Mitchell, Mt. Wolf returned in 2015 with a new EP, Red, which relied heavily on the distinctive croon of Fox, with newcomer Alexa Harley lending her considerable pipes to a song as well. The following year saw the trio issue their fourth EP, Hex. May 2017 brought Mt. Wolf's first album, with production from Ken Thomas (<a href="spotify:artist:6UUrUCIZtQeOf8tC0WuzRy">Sigur Rós</a>, <a href="spotify:artist:63MQldklfxkjYDoUE4Tppz">M83</a>), Aetherlight. ~ James Christopher Monger, Rovi

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