Last updated: 10 hours ago
Natalie Jane Hill’s new record, Hopeful Woman, is composed of slender songs, life-sized, in which humans endeavor to reconcile themselves to wildernesses and cities; rearrange their rooms and open windows to be closer to the world outside and its choruses of frogs and crickets; attempt and fail to reach one another across a kitchen table; weather natural disaster. If something we might deign to call self-discovery emerges over the course of these narratives, it owes in no small part to the scale of their scenes, to the modesty of their ambitions, in which tumult and adaptation and growth are metabolized through a body’s gentle actions and reactions, its moments of quietude and observation and reflection. “Into the current of life I will fly,” Hill sings on Oranges, a song that would serve her well as a mission statement. “Changing and loving and growing and trying.”
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