Last updated: 2 hours ago
Palm’s live performances are revered for their uncanny synchronicity; one gets the sense that, on psychic levels unseen, the members share an intuition unexplained by logic. Drummer Hugo Stanley, bassist Gerasimos Livitsanos and guitarists/vocalists/high school sweethearts Eve Alpert and Kasra Kurt started making music together as teenagers.
On their latest effort, Nicks and Grazes, due October 14 via Saddle Creek, Palm embrace discordance to dazzling effect. “We wanted to reconcile two potentially opposing aesthetics,” Kurt says. “To capture the spontaneous, free energy of our live shows while integrating elements from the traditionally gridded palette of electronic music.” Palm cite Japanese pop music, dub, and footwork as influences , but they also found themselves returning to artists who inspired them to start the group over a decade ago. “When we were first starting out as a band, we bonded over an appreciation of heavy, aggressive, noisy music,” Alpert reflects. Kurt adds, “I found myself rediscovering and re–falling in love with the visceral, jagged quality of guitars in the music of Glenn Branca, The Fall, Beefheart, and Sonic Youth.”
Returning to the fundamentals gave Palm a strong foundation upon which they could experiment freely, resulting in their most ambitious and revelatory album to date. “We’re constantly grabbing at sounds that move us,” Stanley says. “In a sense, the record is cobbled together from these pieces of our lives.”
On their latest effort, Nicks and Grazes, due October 14 via Saddle Creek, Palm embrace discordance to dazzling effect. “We wanted to reconcile two potentially opposing aesthetics,” Kurt says. “To capture the spontaneous, free energy of our live shows while integrating elements from the traditionally gridded palette of electronic music.” Palm cite Japanese pop music, dub, and footwork as influences , but they also found themselves returning to artists who inspired them to start the group over a decade ago. “When we were first starting out as a band, we bonded over an appreciation of heavy, aggressive, noisy music,” Alpert reflects. Kurt adds, “I found myself rediscovering and re–falling in love with the visceral, jagged quality of guitars in the music of Glenn Branca, The Fall, Beefheart, and Sonic Youth.”
Returning to the fundamentals gave Palm a strong foundation upon which they could experiment freely, resulting in their most ambitious and revelatory album to date. “We’re constantly grabbing at sounds that move us,” Stanley says. “In a sense, the record is cobbled together from these pieces of our lives.”
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