Last updated: 2 hours ago
Patric Catani, musician & producer of a wide range of live projects and composer for video game music, such as <a href="spotify:playlist:7tLYmcIIXuIlQtVI9ybAXt" data-name="Pit People">Pit People</a> , <a href="spotify:playlist:2jMVX3X87H0X5k15TTwuH9" data-name="Battleblock Theater">Battleblock Theater</a> by <a href="spotify:playlist:1Z9qpeRlnzzxnCJkzQS77A" data-name="The Behemoth">The Behemoth</a> , a cult game developer based in San Diego California. Currently working on <a href="spotify:album:6w22qsfqQkGgSNvzRjc8uQ" data-name="Alien Hominid Invasion OST (Beta)">Alien Hominid Invasion OST (Beta)</a>.
He started making music in 1992, in his kids room, on an Amiga Homecomputer. His early signature sound brought his name on various international labels. The late 90s found him touring worldwide with his gabba, breakbeat and Hardcore sound, which later evolved into psychedelic, experimental bounce & bass, as well as elaborate compositions for moving picture, multi media art and theater.
Catani enjoyed Berlin's early 2000 creative frenzy working as a producer with various legends like <a href="spotify:artist:4yZwAqoNthxjwuszjQpTt2" data-name="Puppetmastaz">Puppetmastaz</a> as well as releasing his own albums. By now, he has been involved in about 100 releases and he goes under the names <a href="spotify:artist:1sXZC6XB6z9V4tV4Lk8Ut2" data-name="Candie Hank">Candie Hank</a>, <a href="spotify:artist:3sQ5uRhD57Hv3cLlKXqg8p" data-name="Ill Till">Ill Till</a>, <a href="spotify:artist:1u53O8edUlliSCrZVDClxD" data-name="Xberg Dhirty6 Cru">Xberg Dhirty6 Cru</a> and Flex Busterman. His atmospheric productions have also been commissioned for sound installations (such as <a href="spotify:album:5wnv1AyYiLYOp8UiWf3Bb4" data-name="Lemniscate">Lemniscate</a> (with Chris Imler) and MI+MII art projects by Jorinde Voigt presented at Watermill Center in Long Island) or in performances and videos created by the artists Bankleer (Karachi Biennale -Pakistan, 2017; National Museum - Rome, 2020).
But it's the first big love that one never forgets, and that for him was video games. Nowadays, Patric Catani is employing his composer skills to produce video game soundtracks and living his childhood dream.
He started making music in 1992, in his kids room, on an Amiga Homecomputer. His early signature sound brought his name on various international labels. The late 90s found him touring worldwide with his gabba, breakbeat and Hardcore sound, which later evolved into psychedelic, experimental bounce & bass, as well as elaborate compositions for moving picture, multi media art and theater.
Catani enjoyed Berlin's early 2000 creative frenzy working as a producer with various legends like <a href="spotify:artist:4yZwAqoNthxjwuszjQpTt2" data-name="Puppetmastaz">Puppetmastaz</a> as well as releasing his own albums. By now, he has been involved in about 100 releases and he goes under the names <a href="spotify:artist:1sXZC6XB6z9V4tV4Lk8Ut2" data-name="Candie Hank">Candie Hank</a>, <a href="spotify:artist:3sQ5uRhD57Hv3cLlKXqg8p" data-name="Ill Till">Ill Till</a>, <a href="spotify:artist:1u53O8edUlliSCrZVDClxD" data-name="Xberg Dhirty6 Cru">Xberg Dhirty6 Cru</a> and Flex Busterman. His atmospheric productions have also been commissioned for sound installations (such as <a href="spotify:album:5wnv1AyYiLYOp8UiWf3Bb4" data-name="Lemniscate">Lemniscate</a> (with Chris Imler) and MI+MII art projects by Jorinde Voigt presented at Watermill Center in Long Island) or in performances and videos created by the artists Bankleer (Karachi Biennale -Pakistan, 2017; National Museum - Rome, 2020).
But it's the first big love that one never forgets, and that for him was video games. Nowadays, Patric Catani is employing his composer skills to produce video game soundtracks and living his childhood dream.
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