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Plas Johnson's seductive tenor sound has been utilized on many studio sessions, including -- most notably -- the Pink Panther film (1963). A more versatile player than one might think, Johnson sounds equally at home in blues, R&B-ish, and hard bop settings. He recorded a single in New Orleans (1950), moved to Los Angeles, and was quickly established as a popular studio musician. Johnson worked with <a href="spotify:artist:5PGt6fQNjLKhYYeGLWKWcM">Johnny Otis</a> and <a href="spotify:artist:3trsSEaKM3UM2R9RBJwdtJ">Charles Brown</a>, recorded dates as a leader for Tampa (1956-1957), Score, Capitol (1958-1960), Ava (1964), and Concord (1975-1976), worked with the Capp-Pierce Juggernaut, and toured with <a href="spotify:artist:7HZokAjDop6Gjgtghfr8lp">the Gene Harris Superband</a> in 1990. ~ Scott Yanow, Rovi

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