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Although they are most remembered for including <a href="spotify:artist:4Ti0EKl2PVEms2NRMVGqNe">Don Williams</a> in their lineup prior to his ascension to solo country stardom, the Pozo-Seco Singers were much more oriented toward pop-folk than country music. The Texas threesome formed in Corpus Christi, TX, where <a href="spotify:artist:4Ti0EKl2PVEms2NRMVGqNe">Williams</a> and Lofton Kline had a duo called the Strangers Two; with the addition of <a href="spotify:artist:1MIkcmD3gPjocqp2C8HNgN">Susan Taylor</a>, they became the Pozo-Seco Singers. Playing cleanly executed, coffeehouse-style folk, the trio could sound like a far more commercial, pop-conscious version of <a href="spotify:artist:2QkNXWhQoTVUMyS9OIDP0H">Ian & Sylvia</a> with their conscientious blend of male and female lead vocals and harmonies. Not as hip as <a href="spotify:artist:2QkNXWhQoTVUMyS9OIDP0H">Ian & Sylvia</a> or <a href="spotify:artist:6yrBBtqX2gKCHCrZOYBDrB">Peter, Paul and Mary</a>, and not as blatantly commercial as, say, <a href="spotify:artist:7dedWAqd0IKTdCiqiadUrV">the Seekers</a>, the group had a few small pop hits in the mid-'60s, "I Can Make It with You" and "Look What You've Done" both entering the Top 40. After a few albums for <a href="spotify:search:label%3A%22Columbia%22">Columbia</a> in the last half of the 1960s, the act broke up, leaving <a href="spotify:artist:4Ti0EKl2PVEms2NRMVGqNe">Williams</a> to pursue a solo career in the country field. ~ Richie Unterberger, Rovi
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