Rapoon

Rapoon is the solo project of Robin Storey, a co-founder of pioneering industrial group <a href="spotify:artist:0tBx19i6OAx0Z3gGiDtsTO">:zoviet*france:</a> as well as a noted visual artist, painter, and animator. Since 1992, he's released dozens of full-lengths and EPs in various styles ranging from tribal ambient fusion to bleak drones. Early albums such as Dream Circle (1992) and Fallen Gods (1994) contained hypnotic pieces constructed from processed loops of traditional rhythms from around the world. Subsequent albums like Darker by Light (1996) and The Fires of the Borderlands (1998) explored dark, isolationist ambiance. Storey's work during the early 2000s began placing a greater concentration on beat-driven electronic styles, including dub (Rapoon vs. Kinder Atom, 2000), jungle (Cold War: Drum 'n' Bass, 2001), and electro (Rhiz, 2002). His work since then has ventured into many other directions, from the glacial ambience of 2007's Time Frost to the murky industrial of 2010's The Bush Prophet, with 2015's Downgliding containing some of his gentlest, most soothing material. Apart from his solo work as Rapoon, Storey has recorded several albums with fellow <a href="spotify:artist:0tBx19i6OAx0Z3gGiDtsTO">:zoviet*france:</a> alumnus <a href="spotify:artist:2DHs6O6rLJrtdK3j9cKtQM">Mark Spybey</a> as <a href="spotify:artist:5EVmPaEA5cwDEyyjsu2ywn">Reformed Faction</a>.

Storey was born in Cumbria, England in 1955. While studying fine arts at Sunderland University, he began pursuing a long-held interest in sound manipulation by taking classes in electronic and experimental composition, additionally joining friends to perform the works of <a href="spotify:artist:5PkKmEWhfJ9jHVHXbZl0Ks">Karlheinz Stockhausen</a> (a key influence, as were the Krautrock bands of the early '70s).

In 1980 Storey became a founding member of experimental group <a href="spotify:artist:0tBx19i6OAx0Z3gGiDtsTO">:zoviet*france:</a>, remaining with them until 1992. During that year, Canadian label <a href="spotify:search:label%3A%22DOVe%22">DOVe</a> issued the first Rapoon album, Dream Circle, its entrancing fusion of Indian ragas, African rhythms, and experimental textures anticipating the evocative soundscapes of the many releases to follow. These included albums for <a href="spotify:search:label%3A%22Staalplaat%22">Staalplaat</a> such as Raising Earthly Spirits (1993), Fallen Gods (1994), and The Kirghiz Light (1995). <a href="spotify:search:label%3A%22Soleilmoon%22">Soleilmoon</a> began releasing Rapoon albums in 1996, with Darker by Light, Errant Angels, and Recurring Dream Circle appearing that year, and reissues of earlier albums surfacing later. Continuing to record for both labels, Rapoon albums also appeared on <a href="spotify:search:label%3A%22Syntactic%22">Syntactic</a> (Messianic Ghosts, 1997) and <a href="spotify:search:label%3A%22Relapse%22">Relapse</a>'s <a href="spotify:search:label%3A%22Release%22">Release</a> imprint (The Fires of the Borderlands, 1998). He also released several collaborations with artists such as <a href="spotify:artist:2fLISmRV700ta9HWuAaCF3">Randy Greif</a>, Nigel Ayers, and Andrew Diey. <a href="spotify:artist:3HgG0uPIRKNjfJ8C58OrtN">Sonic Foundry</a> released Storey's production CD-ROM Loops for ACID in 1999.

Starting with a 2000 collaboration with <a href="spotify:artist:5TWdMWG5VY8Im9RLUKwlfx">Kinder Atom</a>, Rapoon began issuing material on Austrian label <a href="spotify:search:label%3A%22Klanggalerie%22">Klanggalerie</a> as well. <a href="spotify:search:label%3A%22Soleilmoon%22">Soleilmoon</a> sublabel <a href="spotify:search:label%3A%22Caciocavallo%22">Caciocavallo</a> released the double-CD Cold War: Drum 'n' Bass in 2001, incorporating dislocated breakbeats into the Rapoon sound. While continuing to release an album or two per year, Storey completed his master's degree in creative music technology, and resumed focus on his visual work, which has been exhibited throughout the world, with pieces on display at several major galleries. A Rapoon DVD titled Alien Glyph Morphology was released by <a href="spotify:search:label%3A%22Caciocavallo%22">Caciocavallo</a> in 2005, with vinyl and CD editions appearing later.

In 2006, Storey and former <a href="spotify:artist:0tBx19i6OAx0Z3gGiDtsTO">:zoviet*france:</a> bandmates <a href="spotify:artist:2DHs6O6rLJrtdK3j9cKtQM">Mark Spybey</a> and Andy Eardley released a self-titled album credited to <a href="spotify:artist:5EVmPaEA5cwDEyyjsu2ywn">the Reformed Faction of Soviet France</a>, but they soon decided to distance themselves from their former group, and re-released it as Vota, credited to <a href="spotify:artist:5EVmPaEA5cwDEyyjsu2ywn">Reformed Faction</a>. Eardley left the project after this album, but Storey and <a href="spotify:artist:2DHs6O6rLJrtdK3j9cKtQM">Spybey</a> continued recording and performing as <a href="spotify:artist:5EVmPaEA5cwDEyyjsu2ywn">Reformed Faction</a>, starting with 2007's The War Against.... Rapoon remained as active as ever, with releases continuing on <a href="spotify:search:label%3A%22Glacial+Movements%22">Glacial Movements</a> (Time Frost, 2007), <a href="spotify:search:label%3A%22Lens+Records%22">Lens Records</a> (Dark Rivers, 2009), <a href="spotify:search:label%3A%22Magnatune%22">Magnatune</a> (Disappeared, 2010), and many other labels. <a href="spotify:search:label%3A%22Vinyl-on-Demand%22">Vinyl-on-Demand</a> released a three-LP Rapoon box set, Ghosts from a Machine, in 2010.

Storey collaborated with Johanna Devi on two dance productions in 2011, which premiered in London and Berlin. During the decade, Rapoon albums continued appearing on labels old and new, and included collaborations with Pas Musique, Mykel Boyd, and Wyrm. Storey and <a href="spotify:artist:2DHs6O6rLJrtdK3j9cKtQM">Spybey</a> also collaborated with <a href="spotify:artist:7u1XinnhuSAvCMdKDeLOai">Jared Louche</a> (<a href="spotify:artist:6fJTyAeSgv4A1LR9LamLnY">Chemlab</a>, <a href="spotify:artist:64mGp5QFpsekCRHe6RqDYz">Pigface</a>) under the name Altered Statesmen. Starting in 2012, <a href="spotify:search:label%3A%22Zoharum%22">Zoharum</a> began releasing a series of Seeds in the Tide rarities collections. Subsequent Rapoon full-lengths ranged from the piano-based meditations of Downgliding (<a href="spotify:search:label%3A%22Carpe+Sonum+Novum%22">Carpe Sonum Novum</a>, 2015) to the lighthearted, even humorous Waiting by the River (2016) and Little Rocketman and the Planet That Moved (2018), both issued by <a href="spotify:search:label%3A%22Klanggalerie%22">Klanggalerie</a>. ~ Jason Ankeny & Paul Simpson, Rovi