Last updated: 9 hours ago
The subversively catchy solo project of <a href="spotify:artist:6YHfq8Pg3lZPo1u0PaQ8ob">Speedy Ortiz</a>'s Sadie Dupuis, Sad13 (pronounced "sad thirteen") takes her literate lyrics, empowering viewpoint, and skillful musicianship in further-flung directions than with her band. On 2016's Slugger, Dupuis used her homespun versions of Top 40 sounds to counteract the misogynistic messages in mainstream pop; on 2020's Haunted Painting, she widened her focus, crafting maximalist songs about grief, gentrification, unfunny comedians, and art itself.
The project's roots started when Dupuis met rapper <a href="spotify:artist:56oDRnqbIiwx4mymNEv7dS">Lizzo</a> while on tour with <a href="spotify:artist:6YHfq8Pg3lZPo1u0PaQ8ob">Speedy Ortiz</a>; a fan of <a href="spotify:artist:56oDRnqbIiwx4mymNEv7dS">Lizzo</a>'s music, Dupuis collaborated with her on "Basement Queens," a song about women making music on their own that became Sad13's debut single in January 2016. Inspired, Dupuis wrote and recorded more Sad13 songs early that year in a Philadelphia bedroom she sublet from a friend. The results became the full-length debut Slugger, which <a href="spotify:search:label%3A%22Carpark%22">Carpark</a> released in November 2016.
Following Slugger's release, Dupuis returned to <a href="spotify:artist:6YHfq8Pg3lZPo1u0PaQ8ob">Speedy Ortiz</a>, who issued the poppy, political Twerp Verse in 2018. That year, Dupuis also published her first book of poetry, Mouthguard. During the Twerp Verse tour, she worked on her second solo album, writing and recording the foundations of it at home and adding more instrumentation -- including an eight-piece orchestra -- at studios across the U.S. Produced by Dupuis and recorded with female engineers, Haunted Painting was informed by the bright electronics of <a href="spotify:search:label%3A%22PC+Music%22">PC Music</a> and the brassy performing and songwriting chops of <a href="spotify:artist:1bdAJUX6JPsnYHbTl5jbk6">Joan Armatrading</a> and <a href="spotify:artist:6f8l45N3qZB1xSCH1qFCFB">Tracy Ullman</a>. Arriving in September 2020 on Dupuis' own <a href="spotify:search:label%3A%22Wax+Nine%22">Wax Nine</a> imprint, the album's guests included <a href="spotify:artist:69qhRLDvsWJOhWGXXQ0lQQ">Helado Negro</a>'s Roberto Lange, <a href="spotify:artist:7AZwAitWq1KcFoIJhRWb6V">Deerhoof</a>'s Satomi Matsuzaki, and <a href="spotify:artist:0F6njK2daRnpEgh73K5XbF">Merrill Garbus</a> of <a href="spotify:artist:0asVlqTLu3TimnYVyY5Jxi">tUnE-yArDs</a>. ~ Heather Phares, Rovi
The project's roots started when Dupuis met rapper <a href="spotify:artist:56oDRnqbIiwx4mymNEv7dS">Lizzo</a> while on tour with <a href="spotify:artist:6YHfq8Pg3lZPo1u0PaQ8ob">Speedy Ortiz</a>; a fan of <a href="spotify:artist:56oDRnqbIiwx4mymNEv7dS">Lizzo</a>'s music, Dupuis collaborated with her on "Basement Queens," a song about women making music on their own that became Sad13's debut single in January 2016. Inspired, Dupuis wrote and recorded more Sad13 songs early that year in a Philadelphia bedroom she sublet from a friend. The results became the full-length debut Slugger, which <a href="spotify:search:label%3A%22Carpark%22">Carpark</a> released in November 2016.
Following Slugger's release, Dupuis returned to <a href="spotify:artist:6YHfq8Pg3lZPo1u0PaQ8ob">Speedy Ortiz</a>, who issued the poppy, political Twerp Verse in 2018. That year, Dupuis also published her first book of poetry, Mouthguard. During the Twerp Verse tour, she worked on her second solo album, writing and recording the foundations of it at home and adding more instrumentation -- including an eight-piece orchestra -- at studios across the U.S. Produced by Dupuis and recorded with female engineers, Haunted Painting was informed by the bright electronics of <a href="spotify:search:label%3A%22PC+Music%22">PC Music</a> and the brassy performing and songwriting chops of <a href="spotify:artist:1bdAJUX6JPsnYHbTl5jbk6">Joan Armatrading</a> and <a href="spotify:artist:6f8l45N3qZB1xSCH1qFCFB">Tracy Ullman</a>. Arriving in September 2020 on Dupuis' own <a href="spotify:search:label%3A%22Wax+Nine%22">Wax Nine</a> imprint, the album's guests included <a href="spotify:artist:69qhRLDvsWJOhWGXXQ0lQQ">Helado Negro</a>'s Roberto Lange, <a href="spotify:artist:7AZwAitWq1KcFoIJhRWb6V">Deerhoof</a>'s Satomi Matsuzaki, and <a href="spotify:artist:0F6njK2daRnpEgh73K5XbF">Merrill Garbus</a> of <a href="spotify:artist:0asVlqTLu3TimnYVyY5Jxi">tUnE-yArDs</a>. ~ Heather Phares, Rovi
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