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“For me, playing the blues is all about expressing emotions,” guitarist and vocalist Seth Rosenbloom insists. “What’s always drawn me to the genre is the fact that it allows for an extraordinarily wide range of emotion. That, I think, is the key to making great music overall, and great blues in particular.”
Rosenbloom knows of what he speaks. Hailed by The Boston Globe as “a searing blues-rock guitarist,” and The Noise Boston as a musician who “makes his guitar growl and has a voice to match,” he’s been compared to “a slightly younger and rawer version of Matt Schofield ,” by the Blues PowR blog, which also praised him for “his gravelly, forceful vocals and stinging guitar work.” Those assessments were affirmed this past year, when Rosenbloom made his bow with his debut self-titled EP. Now, with the release of his first full length effort, Keep On Turning (January 18, 2019), he shows again why he has been referred to as the future of blues guitar.
Throughout the album, Rosenbloom commands center stage, with able support from Travis Carlton on bass, Scott Kinsey on keys and Gary Novak on drums. Produced by Josh Smith, a world renowned blues guitarist in his own right, Keep On Turning was recorded at Smith’s Flat V Studios in Reseda, California.
From the emphatic wail of “Keep On Turning” and “Right About Now,” to the drive and determination of “Crawling Back” and “I Can’t Help It,” Rosenbloom’s passion and authenticity are on display throughout the album.

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