Slash's Snakepit

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Slash's Snakepit

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Slash's Snakepit formed as a direct result of <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a>'s continuing disagreements with former partner <a href="spotify:artist:6lig3yUbu7r6VhnB8YGSlF">Axl Rose</a> over the musical direction of <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">Guns N' Roses</a>. While working on a follow-up to the hugely successful Use Your Illusion I and Use Your Illusion II records, <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a>'s affinity for more traditional <a href="spotify:artist:7Ey4PD4MYsKc5I2dolUwbH">Aerosmith</a> meets <a href="spotify:artist:36QJpDe2go2KgaRleHCDTp">Led Zeppelin</a>-type rock & roll was continually at odds with <a href="spotify:artist:6lig3yUbu7r6VhnB8YGSlF">Rose</a>'s growing interest in industrial music. As a result of their inability to find common ground, <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> went to work on material at his home studio with a group of musicians who included former <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">Guns N' Roses</a> guitarist <a href="spotify:artist:6Ya7kAthUWvVuSQBX0oIMx">Gilby Clarke</a>, <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">Guns N' Roses</a> drummer <a href="spotify:artist:1icjlI6iYtR1JjXTJLf4gG">Matt Sorum</a>, <a href="spotify:artist:64tNsm6TnZe2zpcMVMOoHL">Alice in Chains</a> bassist <a href="spotify:artist:5zQ3QCJst7tA5A4mkpVWak">Mike Inez</a>, and former <a href="spotify:artist:10flBVEy5MiUXOJWTaFsyL">Jellyfish</a> vocalist Eric Dover. <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> and Dover wrote 12 songs in less than two weeks.

When <a href="spotify:artist:6lig3yUbu7r6VhnB8YGSlF">Rose</a> heard the songs that <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> was working on, he wanted the songs for the next <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">GNR</a> album, but <a href="spotify:artist:6lig3yUbu7r6VhnB8YGSlF">Rose</a> had already rejected the songs when <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> presented them earlier in demo form, so <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> decided to keep the songs for himself. As the turmoil increased, <a href="spotify:artist:1icjlI6iYtR1JjXTJLf4gG">Sorum</a> decided to abandon the side project and returned to <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">Guns N' Roses</a>. After numerous delays, the band, officially called Slash's Snakepit, released its debut album, It's Five O'Clock Somewhere, in April of 1995 on <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">GNR</a>'s label, <a href="spotify:search:label%3A%22Geffen%22">Geffen</a>. <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> was still a member of <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">Guns N' Roses</a> at the time, but after the tumultuous pressure-filled period he had spent in the biggest and often most controversial band in the world, he found he was enjoying the freedom the Snakepit was affording him. After the monstrous two-year marathon world tour of stadiums in support of the Use Your Illusion records, <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> was also enjoying the opportunity to play rock & roll in smaller venues. In 1997, <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> finally parted ways with <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">Guns N' Roses</a> officially, but claimed he would return if <a href="spotify:artist:6lig3yUbu7r6VhnB8YGSlF">Rose</a> decided to return to rock & roll and abandon industrial music.

After a brief blues cover band project called <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash's Blues Ball</a>, <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> brought the Snakepit back in 1999 with a whole new lineup that included vocalist Rod Jackson, former <a href="spotify:artist:7HLvzuM9p11k9lUQfSM4Rq">Warrant</a> and <a href="spotify:artist:3tufWJzpCiAGleBt5TkmTn">Ratt</a> guitarist Kerri Kelli, bassist Johnny Blackout, drummer Matt Laug, and former <a href="spotify:artist:3qm84nBOXUEQ2vnTfUTTFC">Guns N' Roses</a> road alumni Teddy "ZigZag" Andreadis on keyboards. In November of 2000, this revamped Snakepit lineup released Ain't Life Grand, a collection of straightforward hard rock songs on the small <a href="spotify:search:label%3A%22Koch%22">Koch</a> record label. This album showed <a href="spotify:artist:4Cqia9vrAbm7ANXbJGXsTE">Slash</a> still continuing to play his type of blues-influenced rock & roll. Later in 2000, they went on to tour arenas in support of hard rock legends <a href="spotify:artist:711MCceyCBcFnzjGY4Q7Un">AC/DC</a>. ~ Paul Tinelli, Rovi

Monthly Listeners

78,382

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Total Streams

34.6 million

Top Cities

1,867 listeners
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Links

Popular Tracks

26 tracks
1
Beggars & Hangers-On

Beggars & Hangers-On

Feb 14, 1995

10.4 million

streams

2
Neither Can I

Neither Can I

Feb 14, 1995

3.3 million

streams

3
Good To Be Alive

Good To Be Alive

Feb 14, 1995

1.7 million

streams

4
Dime Store Rock

Dime Store Rock

Feb 14, 1995

1.6 million

streams

5
Serial Killer

Serial Killer

Oct 20, 2000

1.6 million

streams

6
Back And Forth Again

Back And Forth Again

Feb 14, 1995

1.6 million

streams

7
Jizz Da Pit

Jizz Da Pit

Feb 14, 1995

1.4 million

streams

8
Mean Bone

Mean Bone

Oct 20, 2000

1.4 million

streams

9
Back To The Moment

Back To The Moment

Oct 20, 2000

1.4 million

streams

10
Been There Lately

Been There Lately

Oct 20, 2000

1.3 million

streams