Last updated: 9 hours ago
Stefano Donaudy was a minor though significant composer, active in the 1890s and early twentieth century. He wrote mostly vocal music, dividing his efforts between opera and song, though he did produce some chamber and orchestral music. Donaudy was born in Palermo, Sicily, on February 21, 1879. Little information is available about his life, though it is known that he studied with composer Guglielmo Zuelli, a rival of <a href="spotify:artist:0OzxPXyowUEQ532c9AmHUR">Puccini</a> in the latter's early years. It seems that Donaudy was precocious, composing songs in his early teens.
A number of sources date his most popular song, Vaghissima sembianza (Graceful Appearance), to 1892, when the composer was only 13. The song would be recorded by a range of iconic singers over the years, including <a href="spotify:artist:2uB3KPGd1ZUGRsox7N1iH5">Caruso</a>, <a href="spotify:artist:78qb0nLAzypzePDYBGYl8F">Gigli</a>, <a href="spotify:artist:3ALYsjti5tptGpfAgEYweV">Bergonzi</a>, <a href="spotify:artist:6umNMJq7B8UdOVmwPV6PRL">Lanza</a>, <a href="spotify:artist:3EA9hVIzKfFiQI0Kikz2wo">Bocelli</a>, and <a href="spotify:artist:2QJJHCdkMmlbff1beZnAz6">Sumi Jo</a>. Donaudy's younger brother Alberto (1880-1941) had literary inclinations and thus usually served as Stefano's librettist for opera or his poet for song. Stefano had some success with his operas, which included Falchetto and Ramuntcho. His 1918 publication of art songs, 36 Arie di Stile Antico, a set that contained such popular numbers as the aforementioned Vaghissima sembianza, as well as O Del Mio Amato Ben and O Bei Nidi D'amore, also brought him considerable recognition. In 1922, Donaudy's final opera, La Fiamminga (The Flemish Woman), was premiered at the Teatro San Carlo in Naples. It was a decided failure and probably the worst disappointment of the composer's career. Donaudy was so disheartened at its rejection that he abandoned composition for the remainder of his life. He died on May 30, 1925.
A number of sources date his most popular song, Vaghissima sembianza (Graceful Appearance), to 1892, when the composer was only 13. The song would be recorded by a range of iconic singers over the years, including <a href="spotify:artist:2uB3KPGd1ZUGRsox7N1iH5">Caruso</a>, <a href="spotify:artist:78qb0nLAzypzePDYBGYl8F">Gigli</a>, <a href="spotify:artist:3ALYsjti5tptGpfAgEYweV">Bergonzi</a>, <a href="spotify:artist:6umNMJq7B8UdOVmwPV6PRL">Lanza</a>, <a href="spotify:artist:3EA9hVIzKfFiQI0Kikz2wo">Bocelli</a>, and <a href="spotify:artist:2QJJHCdkMmlbff1beZnAz6">Sumi Jo</a>. Donaudy's younger brother Alberto (1880-1941) had literary inclinations and thus usually served as Stefano's librettist for opera or his poet for song. Stefano had some success with his operas, which included Falchetto and Ramuntcho. His 1918 publication of art songs, 36 Arie di Stile Antico, a set that contained such popular numbers as the aforementioned Vaghissima sembianza, as well as O Del Mio Amato Ben and O Bei Nidi D'amore, also brought him considerable recognition. In 1922, Donaudy's final opera, La Fiamminga (The Flemish Woman), was premiered at the Teatro San Carlo in Naples. It was a decided failure and probably the worst disappointment of the composer's career. Donaudy was so disheartened at its rejection that he abandoned composition for the remainder of his life. He died on May 30, 1925.
Monthly Listeners
1,994
Monthly Listeners History
Track the evolution of monthly listeners over the last 28 days.
Followers
206
Followers History
Track the evolution of followers over the last 28 days.
Top Cities
27 listeners
25 listeners
24 listeners
22 listeners
20 listeners
Related Artists
Paolo Tosti
Orchestra del Teatro Carlo Felice
Coro Del Teatro Regio Di Parma
Marcelo Álvarez
Angel Rodriguez
Álvaro Zambrano
Fernando Obradors
Thomas Poole
Paolo Marcarini
Munchener Rundfunkorchester
Vincenzo Legrenzio Ciampi
Gabriele d'Annunzio
Richard Barker
Celso Albelo
Giorgio Croci
Dinara Alieva
Maria Huder
Professori d´Orchestra e Artisti del Coro della Scala
Rome Opera Chorus and Orchestra
Metropolitan Opera Orchester
Isabella Crisante
Vito Carnevali
Rosa Ponselle
Vincenzo Ciampi
Jaume Aragall
Louis Abraham Niedermeyer
Alessandro Barocchi
Slovak Symphony Orchestra
David Alegret
Thomas Powell
Stanislao Gastaldon
