Last updated: 14 hours ago
During the 1970s and 1980s, Hawai‘i’s live music scene was at its peak. Countless clubs, lounges, and bars filled the islands. Musicians embraced and experimented with all manner of ideas.
Among them were Steve Ma‘i‘i and <a href="spotify:artist:6zsIn96BUt3FjnorApFEH2" data-name="Teresa Bright">Teresa Bright</a>, a harmonizing guitar-and-bass duo that floated somewhere between nostalgia and an unassuming island sound. They could fill a concert hall or bring the family together at a backyard kanikapila with their music.
Both singers share backgrounds rooted in native Hawaiian culture; Steve once the bassist for musician/activist <a href="spotify:artist:09t5t3oaOJWJUdBUU6anvX" data-name="George Helm">George Helm</a>, and Teresa the daughter of hula dancer Carol Bright and musician Daniel Bright. Together, they crafted a refreshing approach to jazz standards, traditional Hawaiian tunes, and hapa haole classics.
Among them were Steve Ma‘i‘i and <a href="spotify:artist:6zsIn96BUt3FjnorApFEH2" data-name="Teresa Bright">Teresa Bright</a>, a harmonizing guitar-and-bass duo that floated somewhere between nostalgia and an unassuming island sound. They could fill a concert hall or bring the family together at a backyard kanikapila with their music.
Both singers share backgrounds rooted in native Hawaiian culture; Steve once the bassist for musician/activist <a href="spotify:artist:09t5t3oaOJWJUdBUU6anvX" data-name="George Helm">George Helm</a>, and Teresa the daughter of hula dancer Carol Bright and musician Daniel Bright. Together, they crafted a refreshing approach to jazz standards, traditional Hawaiian tunes, and hapa haole classics.
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