Last updated: 5 hours ago
Tamar Berk crafts emotionally raw indie rock and alt-pop that blends fuzzed-out guitars, dreamy textures, and lyrics that linger like a thought you can’t shake. It’s a soundtrack to those times when your thoughts are spiraling, the lights are too bright, and you’re trying to find meaning in the mess. Moody, melodic, and wired with a quiet intensity. Raised on classical piano and early Disney soundtracks, she later found inspiration in the Beatles, David Bowie, Liz Phair, and Elliott Smith—artists who shaped her instinct for melody and emotional truth.
Fiercely independent, she writes, records, and produces her own music, channeling her inner chaos into songs that explore identity, obsession, and the strange beauty of overthinking. After years in the Chicago, Portland, and San Diego scenes, she launched a solo career grounded in DIY grit. Her albums The Restless Dreams of Youth, Start at the End, Tiny Injuries, and Good Times for a Change earned praise from KCRW, FADER, CREEM, and SHINDIG, with nominations from the San Diego Music Awards and production help from Matt Walker (Morrissey, Garbage) and Sean O’Keefe (Beach Bunny, Motion City Soundtrack).
Her fifth and latest album, OCD is a reverb-soaked deep dive into looping thoughts, emotional undoing, and the patterns we can’t escape. It’s her boldest and most immersive work yet.
Fiercely independent, she writes, records, and produces her own music, channeling her inner chaos into songs that explore identity, obsession, and the strange beauty of overthinking. After years in the Chicago, Portland, and San Diego scenes, she launched a solo career grounded in DIY grit. Her albums The Restless Dreams of Youth, Start at the End, Tiny Injuries, and Good Times for a Change earned praise from KCRW, FADER, CREEM, and SHINDIG, with nominations from the San Diego Music Awards and production help from Matt Walker (Morrissey, Garbage) and Sean O’Keefe (Beach Bunny, Motion City Soundtrack).
Her fifth and latest album, OCD is a reverb-soaked deep dive into looping thoughts, emotional undoing, and the patterns we can’t escape. It’s her boldest and most immersive work yet.
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