The Blasters

The all-American roots music band the Blasters were principally brothers <a href="spotify:artist:1QSEKTN8PPjVzniAkpJ90p">Dave</a> and <a href="spotify:artist:6WiFSQlCFGi0PXuXL65zWg">Phil Alvin</a>, whose first-hand experience with blues masters shaped their sound and turned them both into contemporary singer/songwriters whose interest in roots rock has never waned.

The brothers, along with Bill Bateman on drums and John Bazz on bass, grew up in Downey, California, in the shadow of Disneyland. Their musical education involved hanging out with musicians like <a href="spotify:artist:1WcgIN2vzf5RBrqd1pMA5q">Lee Allen</a>, Marcus Johnson, and <a href="spotify:artist:6nPKmEbQmR8jGZEm7ArOFX">T-Bone Walker</a>, all of whom tipped the band to the ways of blues and R&B. Ironically, by the time they were ready to work in Los Angeles clubs, the punk rock explosion was in full swing, and they found an audience for their rough-and-ready sound among the punks, particularly fans of <a href="spotify:artist:54NqjhP2rT524Mi2GicG4K">X</a>, with whom they frequently shared the bill. American Music (1980) was a collection of roots covers and like-minded originals. Followed by The Blasters (1981, <a href="spotify:search:label%3A%22Slash%22">Slash</a>), the band had added veteran pianist <a href="spotify:artist:27dc3ZZFri3i6g00oFdfpg">Gene Taylor</a>, baritone saxophonist <a href="spotify:artist:6NX36J027FUE913vmbBuWl">Steve Berlin</a> and mentor <a href="spotify:artist:1WcgIN2vzf5RBrqd1pMA5q">Allen</a> on tenor sax. Amazingly, the album reached number 36 on the charts. In 1982, they recorded the live EP, Over There for <a href="spotify:search:label%3A%22Slash%22">Slash</a>, followed by 1983's Non-Fiction. Less focused on rockabilly revivalism, <a href="spotify:artist:1QSEKTN8PPjVzniAkpJ90p">Dave Alvin</a> had become the band's chief cook and songwriter. <a href="spotify:artist:6NX36J027FUE913vmbBuWl">Berlin</a> had since left the fold to join <a href="spotify:artist:6OWapcJm9xd55ci9CYbAuT">Los Lobos</a>. Hard Line in 1985 was even more polished and featured the work of <a href="spotify:artist:1CPwHx5lgVxv0rfcp7UXLx">Ry Cooder</a> and <a href="spotify:artist:3lPQ2Fk5JOwGWAF3ORFCqH">John Mellencamp</a>; the latter's song "Colored Lights" was written and produced by him especially with the band in mind. The band called it a day after that, though several years later <a href="spotify:artist:6WiFSQlCFGi0PXuXL65zWg">Phil Alvin</a> reformed the group as a live act without <a href="spotify:artist:1QSEKTN8PPjVzniAkpJ90p">Dave</a>.

After joining <a href="spotify:artist:54NqjhP2rT524Mi2GicG4K">X</a> for a brief spell, <a href="spotify:artist:1QSEKTN8PPjVzniAkpJ90p">Dave</a> launched a career as a prolific solo recording artist; <a href="spotify:artist:6WiFSQlCFGi0PXuXL65zWg">Phil</a> released one solo album before heading back to school to pursue post-graduate work in mathematics. <a href="spotify:artist:27dc3ZZFri3i6g00oFdfpg">Taylor</a> is also a solo recording artist. In spring 2002 the original Blasters lineup -- the <a href="spotify:artist:1QSEKTN8PPjVzniAkpJ90p">Dave</a> and <a href="spotify:artist:6WiFSQlCFGi0PXuXL65zWg">Phil Alvin</a>, Bazz, Bateman, and <a href="spotify:artist:27dc3ZZFri3i6g00oFdfpg">Taylor</a> -- reunited for a series of six reunions shows in California. A live album resulted, Trouble Bound, which featured recordings from the group's two performances at House of Blues in Hollywood. Another round of reunion shows produced a second live set, The Blasters Live: Going Home, and a home video of the same show was released concurrently. With the group back in the public eye, in 2005 <a href="spotify:artist:6WiFSQlCFGi0PXuXL65zWg">Phil Alvin</a>'s edition of the Blasters -- featuring <a href="spotify:artist:6WiFSQlCFGi0PXuXL65zWg">Phil</a>, John Bazz on bass, Keith Wyatt on guitar, and Jerry Angel on drums -- finally released a long-promised studio album, 4-11-44. Fun on a Saturday Night, this time featuring <a href="spotify:artist:6WiFSQlCFGi0PXuXL65zWg">Phil Alvin</a>, Bazz, Bateman, and <a href="spotify:artist:27dc3ZZFri3i6g00oFdfpg">Taylor</a>, but with Keith Wyatt on guitar instead of <a href="spotify:artist:1QSEKTN8PPjVzniAkpJ90p">Dave Alvin</a>, appeared from <a href="spotify:search:label%3A%22Rip+Cat+Records%22">Rip Cat Records</a> seven years later in 2012. ~ Denise Sullivan, Rovi