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A short-lived outfit whose existence is conveniently documented by a lone 1978 single, the Normal was an alias for Daniel Miller, owner of Mute Records. Through the likes of <a href="spotify:artist:2kS4yz85MaZlxp2VaS3BEe">Cabaret Voltaire</a>, Fad Gadget, and <a href="spotify:artist:762310PdDnwsDxAQxzQkfX">Depeche Mode</a>, Miller's label was responsible for opening thousands of minds to the possibilites of electronic music. Despite the Normal's low profile and minimal output, their "T.V.O.D."/"Warm Leatherette" single added its own significant contribution to the then-new electronic pop playing field. The B-side, written in tribute to J.G. Ballard's auto-wreck fetish novel Crash, carried relentless pulsing, clinical snapping, and detached vocal chants; it's since become a classic in the realm, having been covered by the likes of <a href="spotify:artist:2f9ZiYA2ic1r1voObUimdd">Grace Jones</a> and <a href="spotify:artist:4EySud7Ww0GNvkwhRYZHLV">Chicks on Speed</a>. As the Normal, Miller also contributed to an experimental live EP with <a href="spotify:artist:42jKTuRe7F69Ja2Qa5JEQV">Robert Rental</a> entitled Live at West Runton Pavilion; Miller briefly dedicated himself to synth-pop covers of classic rock songs as <a href="spotify:artist:2UIaoezmAoyp2i3wWDwMYk">the Silicon Teens</a> as well. ~ Andy Kellman, Rovi
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