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Technology was meant to be humanity’s tool to combat famine, disease, confusion, and to facilitate life, culture, and innovation. Instead, we’re mired in a digital labyrinth that few care to navigate or even solve. Perhaps it’s not a ruse and the matrices coded by keyboard maestros are a path to liberation, but without querying the constructs we cannot ruminate on their affectations on humanity.

Rooted in the mythos of the underbelly of Los Angeles, cybernetiks, and a vision of the future as dystopia through VHS scanlines of time passed, Noel Skum's (Andrew Clinco of Drab Majesty), VR SEX transpose the identifiers of acid punk, death rock, and ethereal soundscapes into an audit on technology and its imprint on our collective psyche.

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