Last updated: 9 hours ago
Singer/songwriter Kaylen Alan Krebsbach knows how to pack a punch. Marrying ethereal yet sometimes ferocious vocals with confessional lyrics, Krebsbach’s sound is forged in the fire of love and loss.
After circling the lower 48 for the last 7 years with acts like <a href="spotify:artist:3O8pARzuiJ3jrembAGjdZ1" data-name="Buddy Wakefield">Buddy Wakefield</a>, <a href="spotify:artist:0cSJoJvUx2b8uZidslkw8B" data-name="Andrea Gibson">Andrea Gibson</a> and Philadelphia based <a href="spotify:artist:6t0a2t1BXxTQvAkxReClPm" data-name="Kississippi">Kississippi</a>, Krebsbach retraced her steps back to her hometown of Missoula, Montana and started to take the stories she had collected and turn them into songs under the moniker ‘Wilma Laverne Miner’, her paternal grandmother’s maiden name.
Her debut EP ‘Used To’ (recorded with Alan Day of <a href="spotify:artist:0qqxspZOkbN00bu6DaRIrn" data-name="Four Year Strong">Four Year Strong</a>) released in February 2020 combines her country roots with snarling synth lines that make you unsure if you want to hit the dancefloor or kick the jukebox. Her pleading but unrepentant voice evokes visions of a bar fight in the glow of a neon sign---rough and tumble but honest and at the mercy of the listener.
If you like Wilma Laverne Miner, check out Krebsbach's most recent musical endeavor <a href="spotify:artist:6sVJBuG9PrMihKIkZn8OHO" data-name="Share">Share</a> -- a collaboration between herself and Manchester U.K. guitarist <a href="spotify:artist:3RhvmOR4XRxcjjKLur19EB" data-name="Nile Marr">Nile Marr</a>.
After circling the lower 48 for the last 7 years with acts like <a href="spotify:artist:3O8pARzuiJ3jrembAGjdZ1" data-name="Buddy Wakefield">Buddy Wakefield</a>, <a href="spotify:artist:0cSJoJvUx2b8uZidslkw8B" data-name="Andrea Gibson">Andrea Gibson</a> and Philadelphia based <a href="spotify:artist:6t0a2t1BXxTQvAkxReClPm" data-name="Kississippi">Kississippi</a>, Krebsbach retraced her steps back to her hometown of Missoula, Montana and started to take the stories she had collected and turn them into songs under the moniker ‘Wilma Laverne Miner’, her paternal grandmother’s maiden name.
Her debut EP ‘Used To’ (recorded with Alan Day of <a href="spotify:artist:0qqxspZOkbN00bu6DaRIrn" data-name="Four Year Strong">Four Year Strong</a>) released in February 2020 combines her country roots with snarling synth lines that make you unsure if you want to hit the dancefloor or kick the jukebox. Her pleading but unrepentant voice evokes visions of a bar fight in the glow of a neon sign---rough and tumble but honest and at the mercy of the listener.
If you like Wilma Laverne Miner, check out Krebsbach's most recent musical endeavor <a href="spotify:artist:6sVJBuG9PrMihKIkZn8OHO" data-name="Share">Share</a> -- a collaboration between herself and Manchester U.K. guitarist <a href="spotify:artist:3RhvmOR4XRxcjjKLur19EB" data-name="Nile Marr">Nile Marr</a>.
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