Data updated on 2025-07-31 16:02:52 UTC
Make ready and say “ah” to All Cylinders—the golden, textured new album by one of Montreal’s most original musicians. Yves Jarvis, aka Jean-Sébastien Yves Audet, is no longer simply a recording artist: now, he says, he’s a songwriter. These 16 tracks of brazen songcraft and pure musicianship are things he played himself, without a single additional contributor (“Not even one!”), and see the 3X-Polaris-nominated artist turn with pleasure to the stuff of verses, choruses, hooks and hits.
Yves Jarvis is distinguished by his sound—a warm, vivid thing that feels at once like a handknit piece of fabric and a sheet of precious metal. He is dedicated to a music that condenses folk, R&B, country, blues, Americana—with a touch that’s contemporary, even futuristic, and smashes together a stunning array of influences, from Serge Gainsbourg and Judee Sill to Ray Charles, Brian Eno and Throbbing Gristle. Some tracks are iridescent road songs; at other moments Jarvis meditates on truth, fiction and the utterly cosmic. Throughout, All Cylinders seems to shimmer in a middle space, part-real and part-celestial. The world’s full of love; it’s also full of mystery. “Thank God I’m me,” Yves Jarvis admits. “It would suck to be anybody else.”
Yves Jarvis is distinguished by his sound—a warm, vivid thing that feels at once like a handknit piece of fabric and a sheet of precious metal. He is dedicated to a music that condenses folk, R&B, country, blues, Americana—with a touch that’s contemporary, even futuristic, and smashes together a stunning array of influences, from Serge Gainsbourg and Judee Sill to Ray Charles, Brian Eno and Throbbing Gristle. Some tracks are iridescent road songs; at other moments Jarvis meditates on truth, fiction and the utterly cosmic. Throughout, All Cylinders seems to shimmer in a middle space, part-real and part-celestial. The world’s full of love; it’s also full of mystery. “Thank God I’m me,” Yves Jarvis admits. “It would suck to be anybody else.”
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