Music Metrics Vault

Birmingham hip hop

Most popular artists in Birmingham hip hop

This chart is based on the monthly listeners metric for all artists tagged with the genre birmingham hip hop by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
Marnz Malone
308,508
43,626
2
RM
189,215
37,199
3
Mylo
76,183
16,833
4
KM
55,341
15,796
5
Pee Man
27,815
14,679
6
Mike Skinner
27,627
20,600
7
Miss Lafamilia
26,673
11,212
8
Screwface RaRa
22,749
1,250
9
Saint12
9,024
1,128
10
The Darker the Shadow the Brighter the Light
6,696
12,659
11
Beddz
3,731
885
12
CurtisMeredithh
3,431
321
13
22 Jam
2,510
1,438
14
Kuttaz
1,935
414
15
KE4T
1,859
325
16
FlyBeezy
1,820
618
17
J Pierce
1,604
184
18
Trapz
1,510
680
19
Remz
1,460
253
20
Ace Buggy
1,339
276
21
Romey Five
1,130
542
22
KY'ORiON
1,091
188
23
kshiesty
1,087
31
24
Mr Macee
1,020
1,188
25
Kea
432
314
26
SUP£R
343
197
27
chokzz
278
141
28
8rose
220
366
29
Kin Rich
129
381
30
RockoBandz
96
30
31
MDR Tilla
26
211
32
Zimbo Freemind
17
186
33
Dyrti San
4
35

Some info about birmingham hip hop

Birmingham hip hop, emerging from the vibrant and culturally rich streets of Birmingham, England, represents a unique take on the global hip hop phenomenon. The genre has carved out a niche for itself, particularly striking within the past two decades, by blending the gritty, raw sounds of traditional hip hop with local influences, making it a vital part of the UK's broader urban music landscape.

Hip hop originally surfaced in the Bronx, New York, in the 1970s, but it wasn't until the 1980s and 1990s that it truly began branching worldwide, arriving in the UK where diverse cities like Birmingham absorbed and reinterpreted it. Birmingham, known for its industrial past and ethnically diverse population, provided fertile ground for the genre to take root. By the early 2000s, Birmingham hip hop began to gain real momentum, distinctively incorporating British slang and regional accents with the broader English lexicon, thus setting apart its artists from their American counterparts.

The fusion of different cultural influences is a hallmark of the Birmingham scene. Artists often draw on their multi-ethnic backgrounds, embedding narratives not just about urban life, but about personal and communal experiences that reflect a blend of Caribbean, South Asian, and other immigrant cultures alongside native British elements. This gives Birmingham hip hop a distinct sound and lyrical depth, engaging with themes of identity, resistance, community, and the social dynamics of the urban environment.

Key artists like Lady Leshurr, Mist, and Jaykae are pivotal figures in the genre. Lady Leshurr, known for her "Queen's Speech" freestyle series, combines wit and fast-paced rhymes, and her content frequently touches on social issues, personal integrity, and empowerment. Mist, on the other hand, often draws from his own experiences growing up in Birmingham, blending gritty narratives with catchy hooks that resonate with broader audiences. Jaykae, particularly noted for his distinct accent and raw lyrical approach, brings an authenticity that has been lauded across the UK hip hop scene.

The genre's growth has been facilitated by local radio stations and clubs that have provided platforms for these artists to showcase their talent. Additionally, platforms like YouTube, Spotify, and SoundCloud have played significant roles in promoting Birmingham hip hop, helping it spread beyond the UK to hip hop aficionados worldwide, particularly in regions with significant English-speaking populations.

Birmingham hip hop's popularity in the UK overlaps significantly with grime, another genre of urban music that emerged from London. Both genres share similar roots and socio-political themes but differ in sound and rhythm. Birmingham's version tends to stick closer to the slower, more pronounced beats of traditional hip hop, while grime is characterized by its rapid breakbeats and electronic influences.

Internationally, the influence of Birmingham hip hop is notable in countries like Canada, Australia, and parts of Europe, where there's a keen interest in diverse interpretations of hip hop music. These international connections not only help spread Birmingham's unique sound but also encourage cross-cultural collaborations that feed back into the local scene, continually refreshing the genre.

In conclusion, Birmingham hip hop is more than just a musical genre; it is a vibrant expression of urban life and multicultural integration. It represents a community's voice, collective struggles, personal stories, and the unyielding spirit of a city that has managed to find its unique beat in the vast world of hip hop.