We are currently migrating our data. We expect the process to take 24 to 48 hours before everything is back to normal.

Genre

pop soul

Top Pop soul Artists

Showing 25 of 54 artists
1

2.7 million

59.3 million listeners

2

456,598

5.2 million listeners

3

753,812

5.1 million listeners

4

702,756

4.5 million listeners

5

604,792

4.3 million listeners

6

80,015

4.1 million listeners

7

996,552

1.4 million listeners

8

379,140

1.3 million listeners

9

310,161

1.1 million listeners

10

34,710

634,801 listeners

11

230,583

575,738 listeners

12

91,038

562,756 listeners

13

99,292

557,122 listeners

14

243,904

503,299 listeners

15

369,337

480,880 listeners

16

176,678

447,176 listeners

17

72,349

440,461 listeners

18

194,525

431,135 listeners

19

47,888

363,406 listeners

20

107,290

285,112 listeners

21

85,571

269,205 listeners

22

211,901

258,082 listeners

23

204,635

248,048 listeners

24

56,050

228,880 listeners

25

55,113

218,736 listeners

About Pop soul

Pop soul is a warm, crowd-pleasing blend that sits at the crossroads of glossy pop production and the emotive, gospel-inflected urgency of soul. It’s not a rigid category so much as a sensibility: songs built from strong melodies, memorable hooks, and a vocal approach that can glide from breathy tenderness to gospel-powered belts, all wrapped in polished, radio-ready arrangements. The result is music that feels intimate and instant at the same time, easy to carry in the head and hard to forget once it lands in the chest.

Historically, pop soul grew out of the American soul explosion of the 1960s and the crossover strategies of Motown and related scenes. The Motown sound formalized the formula: precise, stylish production, tight rhythm sections, strings and horns, and songs about love, longing, and everyday life that could perform on R&B stages and pop charts alike. Artists such as Aretha Franklin, Stevie Wonder, Marvin Gaye, and Diana Ross & the Supremes built careers that bridged sacred vocal fervor and secular, widely accessible hooks. It wasn’t pure “pop” nor pure “soul” in the old school sense; it was a deliberate synthesis designed to travel beyond R&B clubs into mainstream radio and international markets. In the 1970s and beyond, the lineage continued with smoother productions, a dash of funk, and more sophisticated lyrical storytelling, all while preserving a core emphasis on expressive vocal delivery.

Key ambassadors span multiple generations. Aretha Franklin’s ache and authority, Stevie Wonder’s melodic inventiveness, and Marvin Gaye’s emotional sophistication remain touchstones for the genre’s ideal balance of depth and accessibility. In the late 20th century, artists who carried the torch into broader pop consciousness—Whitney Houston, Diana Ross, and later Alicia Keys and John Legend—proved that soulful vocalism could anchor big pop ballads and contemporary R&B with essential staying power. In the modern era, the genre’s spirit persists through artists like Adele and Sam Smith, who fuse emotional, soulful vocal lines with highly marketable pop songcraft; Bruno Mars’ retro-soul energy and catchy production also echo the pop-soul continuum. Amy Winehouse’s late-2000s revival of vintage soul shows the genre’s enduring appeal when paired with modern pop sensibilities.

Geographically, pop soul found its strongest footholds in the United States and United Kingdom, where crossover radio formats and global touring amplified its reach. Across Europe, Japan, and other markets, the appeal of polished vocal performances paired with relatable love-and-life lyrics helped pop soul become a mainstay of adult contemporary and pop playlists. It remains particularly resonant for listeners who crave songs that feel human and immediate yet are crafted with a level of melodic and studio polish that makes them linger.

For enthusiasts, pop soul is the art of a great voice meeting a great tune within a refined, emotionally honest production. It invites you to hum along, savor the groove, and feel the sentiment—often all at once.