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Genre

rap metal

Top Rap metal Artists

Showing 25 of 45 artists
1

7.8 million

16.7 million listeners

2

3.7 million

3.5 million listeners

3

2.0 million

3.1 million listeners

4

2.2 million

1.8 million listeners

5

629,399

1.6 million listeners

6

621,520

1.4 million listeners

7

1.3 million

1.1 million listeners

8

525,017

630,631 listeners

9

161,418

615,018 listeners

10

206,393

365,868 listeners

11

88,510

240,254 listeners

12

361,338

233,026 listeners

13

93,277

207,753 listeners

14

177,775

187,475 listeners

15

36,950

154,372 listeners

16

29,358

147,144 listeners

17

44,713

110,540 listeners

18

158,054

77,015 listeners

19

92,891

68,510 listeners

20

114,367

65,726 listeners

21

45,021

56,759 listeners

22

94,599

46,565 listeners

23

17,608

29,242 listeners

24

36,094

25,793 listeners

25

24,498

22,187 listeners

About Rap metal

Rap metal is a high-octane fusion that blends the rhythmic flow and rhymes of hip-hop with the aggression and power of heavy metal. It sits at a crossroads where rapped verses, shouted refrains, and melodic hooks meet down-tuned guitars, pounding drums, and often DJ scratches or sampled textures. The result is music that can feel confrontational and club-ready at once, with grooves that range from slam-heavy to strangely melodic.

Origins trace back to late 1980s crossovers, but it truly crystallized in the early 1990s. A watershed moment came with the Bring the Noise collaboration remix in 1991 between Anthrax, the veteran thrash metal band, and Public Enemy, the hip-hop giants. Many now regard that project as one of the first major statements of rap-metal language. In 1991–1992, Rage Against the Machine burst onto the scene from Los Angeles, fusing Tom Morello’s inventive guitar textures with Zack de la Rocha’s rapid-fire, politically charged rhymes. Their self-titled debut (1992) defined a template: groove-heavy riffs, incendiary lyrics, and a sprinting rap cadence laid over metal rhythms.

The genre expanded through the 1990s into the broader umbrella of nu metal, with a wave of bands that merged aggression with hip-hop's rhythmic sensibilities. Korn emerged from California in 1994 with a sludgy, downtuned sound and urgent, emotionally raw vocals; Limp Bizkit followed, pushing rap-metal energy into mainstream arenas in 1999 with a punchy, party-ready vibe. Linkin Park’s Hybrid Theory (2000) helped push the sound into the early 2000s with a polished blend of rap, metal, and electronics, reaching an enormous global audience. Other notable contributors include P.O.D., Biohazard, and Faith No More (early experiments with rap-like vocal rhythms) who helped widen the palette, while Deftones offered a heavier, more atmospheric edge that broadened the sonic scope of the scene.

Ambassadors of the genre span several constellations. Rage Against the Machine remains the archetype of politically charged rap-metal fusion. Korn and Limp Bizkit became synonymous with nu metal’s mass appeal, marrying hook-laden songs to rap-inflected verses. Linkin Park bridged rock, rap, and electronic textures for a global audience. Faith No More’s Epic and Anthrax/Public Enemy’s Bring the Noise are often cited as important precursors. Beyond the United States, the style found enthusiastic audiences in Europe, Latin America, and parts of Asia, where local scenes absorbed the mix and produced regional acts that echoed the formula in different languages and cultural contexts.

Geographically, the United States remains the core hub, especially the West Coast and New York–New Jersey scenes, but the late 1990s and early 2000s brought wide international attention. In Europe (notably the United Kingdom, Germany, and France), Latin America (including Puerto Rico and Brazil), and Australia, rap metal left lasting imprints on metalcore, industrial riffs, and crossover acts. Today, the genre’s spirit persists in evolving hybrids—trap metal, rap-rock, and other crossovers—while the best rap metal tracks still evoke the adrenaline of a live show, the bite of social critique, and the razor-sharp energy of two genres colliding on one stage.