Beth Gibbons

First gaining renown as the voice of <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a>, Beth Gibbons is an enigmatic yet intensely emotional musician. <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a>'s innovative version of trip-hop drew on the vocal jazz and pop of the past while reinventing it radically, and Gibbons' vocals -- which recalled bygone greats such as <a href="spotify:artist:7G1GBhoKtEPnP86X2PvEYO">Nina Simone</a> and <a href="spotify:artist:1WPcVNert9hn7mHsPKDn7j">Edith Piaf</a> -- fit the group's postmodern mystique perfectly. As a solo artist, Gibbons places her elegant-yet-gritty contralto in a wide array of settings: The haunted chamber folk of 2002's <a href="spotify:artist:62NNHMoDbLSbR3THDaFNO7">Rustin Man</a> collaboration Out of Season was a departure that nevertheless felt true to her artistry, as did her 2014 performance of <a href="spotify:artist:5PIshNx38qyLggwpqRhRRI">Henryk Górecki</a>’s Symphony No. 3 "Symphony of Sorrowful Songs" with the Polish National Radio Symphony and the unflinching meditations on mortality of 2024's Lives Outgrown. In between these releases, she scored films and worked with French pop legend <a href="spotify:artist:4XYH5Be5pn1qkxhfaID3J5">Jane Birkin</a>, stoner rock band <a href="spotify:artist:4167ji2eAk6k9gfVXclNp9">Gonga</a>, and acclaimed rapper <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Kendrick Lamar</a> -- projects with little in common other than Gibbons' unerring ability to connect with the emotional truth of any kind of music.

Born into a farm family in Exeter, Devon, England in 1965, Gibbons embraced rural life fully as a girl and young woman, forgoing college to continue doing farm work and listening to music on a home stereo with her family. When she was 22, she moved to Bristol to become a singer, but didn't have much luck supporting herself until she met her future <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> partner <a href="spotify:artist:53b2a4ytPlelgBJYLLocWh">Geoff Barrow</a> while waiting to get on the dole. Prior to their meeting, <a href="spotify:artist:53b2a4ytPlelgBJYLLocWh">Barrow</a> was a studio hand at Bristol's Coach House, where he worked with <a href="spotify:artist:3wury2nd8idV4GecUg5xze">Primal Scream</a>, <a href="spotify:artist:762310PdDnwsDxAQxzQkfX">Depeche Mode</a>, and <a href="spotify:artist:6FXMGgJwohJLUSr5nVlf9X">Massive Attack</a>. Gibbons and <a href="spotify:artist:53b2a4ytPlelgBJYLLocWh">Barrow</a> began working on a trip-hop project of their own, and with the addition of the local jazz guitarist <a href="spotify:artist:6jDiXQFNb5UYscCSghzEEA">Adrian Utley</a>, <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> were born. The trio's 1994 debut album Dummy was a massive success: it went platinum in four countries and gold in three others, it won the Mercury Prize for Best British Album in 1995, and the album and its single "Sour Times" were alternative rock hits in the U.S.

During this time, Gibbons also worked with <a href="spotify:artist:3ruQgLVOS9GcDoqxTmksmr">.O.Rang</a>, the project of former <a href="spotify:artist:7Fo8TAyGJr4VmhE68QamMf">Talk Talk</a> members Paul Webb and Lee Harris (she had auditioned to be the group's lead singer, but became too busy with <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> to pursue the opportunity). She appeared on their 1994 debut album Herd of Instinct and its follow-up, 1996's Fields and Waves. <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> returned in 1997 with their darker, more experimental self-titled second album, which was also received warmly, going platinum in the U.K. and New Zealand and gold in four other countries. The trio followed it late in 1998 with Roseland NYC Live.

After <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> went on hiatus in 1999, Gibbons reunited with Webb, whose largely acoustic project <a href="spotify:artist:62NNHMoDbLSbR3THDaFNO7">Rustin Man</a> lent a thoughtful feel to their acclaimed collaboration Out of Season. Upon its release in October 2002, the album reached number 28 on the U.K. Albums Chart. She then spent the next few years working with artists in different capacities: In 2004, songs she wrote appeared on <a href="spotify:artist:5P4UV7tMpOVbX4Hn1zDdJ4">Fried</a>'s self-titled debut album and on <a href="spotify:artist:7bvcQXJHkFiN1ppIN3q4fi">Joss Stone</a>'s Mind Body & Soul, while she lent her vocals to <a href="spotify:artist:1HY3qhAqbGC5jM7lfbSqft">Rodrigo Leão</a>'s Cinema and <a href="spotify:artist:4XYH5Be5pn1qkxhfaID3J5">Jane Birkin</a>'s Rendez-Vous.

In 2005, <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> reconvened to perform their first live dates in seven years and record material for their next album. The trio contributed a version of <a href="spotify:artist:01C9OoXDvCKkGcf735Tcfo">Serge Gainsbourg</a>'s "Requiem for Anna" on the 2006 tribute album Monsieur Gainsbourg Revisited. Meanwhile, Gibbons continued to work on other projects, including the score for the Diane Bertrand film L'Annulaire and appearances on <a href="spotify:artist:4XYH5Be5pn1qkxhfaID3J5">Birkin</a>'s 2006 effort Fictions and <a href="spotify:artist:5MspMQqdVbdwP6ax3GXqum">Annie Lennox</a>'s 2007 album Songs of Mass Destruction. The following year, Gibbons scored Bertrand's film Baby Blues and <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> released the acclaimed Third, which was certified gold in the U.K. and appeared in the Top Ten of 19 countries.

In the 2010s, Gibbons' projects became even more wide-ranging. She lent her vocals to "Prospera's Coda," the final song on the soundtrack to Julie Taymor's 2010 adaptation of The Tempest; two years later, she appeared on <a href="spotify:artist:5BxMS9rhKHbSagaYFBICun">JJ Doom</a>'s album Key to the Kuffs and was a judge for the 10th annual Independent Music Awards. When <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> performed in Kraków, Poland in 2013, Gibbons was invited to perform composer <a href="spotify:artist:5PIshNx38qyLggwpqRhRRI">Henryk Górecki</a>’s Symphony No. 3 "Symphony of Sorrowful Songs" in Polish as part of a concert that also featured <a href="spotify:artist:4Z8W4fKeB5YxbusRsdQVPb">Radiohead</a>'s <a href="spotify:artist:0z9s3P5vCzKcUBSxgBDyLU">Jonny Greenwood</a>, <a href="spotify:artist:2cCUtGK9sDU2EoElnk0GNB">the National</a>'s <a href="spotify:artist:5HHKeO04SOcxUxjruFXf5l">Bryce Dessner</a> and the Polish National Radio Symphony as conducted by <a href="spotify:artist:0qEO82Hj3SvjoNyEfKpRku">Krysztof Penderecki</a>. To prepare for the November 2014 performance, Gibbons worked with vocal coaches on her Polish pronunciation and to extend her contralto voice into the soprano range necessary for the piece. That year, she also worked with the stoner rock band <a href="spotify:artist:4167ji2eAk6k9gfVXclNp9">Gonga</a> on a cover of "Black Sabbath." In 2018 she contributed to Clarion Calls, an audio installation that appeared at Ipswich's Spill festival and also included the voice of the <a href="spotify:artist:5Wabl1lPdNOeIn0SQ5A1mp">Cocteau Twins</a>' <a href="spotify:artist:791Z3924aa619hZ3xsOJEx">Elizabeth Fraser</a> among its 100 female vocalists. <a href="spotify:search:label%3A%22Domino+Records%22">Domino Records</a> released Gibbons' performance of <a href="spotify:artist:5PIshNx38qyLggwpqRhRRI">Górecki</a>’s Symphony No. 3 "Symphony of Sorrowful Songs" in March 2019. The album reached number five on the U.K. Independent Albums Chart.

Gibbons resurfaced in 2022, appearing on "Mother I Sober" from <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Kendrick Lamar</a>'s Mr. Morale & the Big Steppers and sharing an Album of the Year Grammy Award nomination as a featured artist and songwriter. That year, <a href="spotify:artist:6liAMWkVf5LH7YR9yfFy1Y">Portishead</a> played live for the first time in seven years at a War Child benefit to support the people of Ukraine. In 2023, the group released a remastered, expanded edition of Roseland NYC Live. The following May, Gibbons issued the solo album Lives Outgrown on <a href="spotify:search:label%3A%22Domino%22">Domino</a>. Over a decade in the making, it touched on midlife issues -- motherhood, menopause, and mortality among them -- with a sophisticated yet restless mix of acoustic, electronic, and orchestral sounds. ~ Heather Phares & Stephen Thomas Erlewine, Rovi