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Boston Symphony Orchestra

Artist

Boston Symphony Orchestra

Last updated: 6 hours ago

The Boston Symphony Orchestra is one of the most prominent U.S. symphonic ensembles, with deep roots in the Germanic practices that formed the model for American orchestral culture. The orchestra's catalogue of recordings on the <a href="spotify:search:label%3A%22RCA+Victor%22">RCA Victor</a> label in the middle of the 20th century, artistically ambitious and sonically top-notch thanks to the ambiance of Boston's magnificent Symphony Hall, continue to set a standard. The Boston Symphony Orchestra was formed in 1881 with principal support from banker Henry Lee Higginson, who also spearheaded the construction of Symphony Hall and its opening in 1900. Its membership consisted largely of German-trained musician, and its first conductor, George Henschel, was a friend of <a href="spotify:artist:5wTAi7QkpP6kp8a54lmTOq">Brahms</a>. Subsequent conductors were German or, in the case of <a href="spotify:artist:1SEdrsOzJuBFO4guNtHqOu">Arthur Nikisch</a>, Hungarian. Especially important was <a href="spotify:artist:2mEveHHGI25DLRXka7AlzS">Karl Muck</a>, a former conductor of the Berlin Court Opera (now the <a href="spotify:artist:7g5FOsvQD85ies2rVIFJDC">Berlin State Opera</a>), who led the orchestra from 1906 to 1908, and again from 1912 to 1918 after the leadership of Max Fiedler in the interim. <a href="spotify:artist:2mEveHHGI25DLRXka7AlzS">Muck</a> stepped down and was held in an internment camp in Georgia after espousing pro-German sympathies during World War I. But beginning with <a href="spotify:artist:5fL4LVKRLKkyN1Xalpt0xx">Pierre Monteux</a> in 1919, the Boston Symphony boasted a series of internationally renowned and non-German conductors. <a href="spotify:artist:5fL4LVKRLKkyN1Xalpt0xx">Monteux</a> was French; <a href="spotify:artist:4wPH3awoVXijuEmNElbpmt">Serge Koussevitsky</a>, who led the orchestra from 1924 to 1949, was Russian and a towering figure who commissioned numerous modern works and led the world premieres of <a href="spotify:artist:7ie36YytMoKtPiL7tUvmoE">Stravinsky</a>'s Symphony of Psalms and <a href="spotify:artist:5zyNXVd952fWOjkdGHCvPd">Bartók</a>'s Concerto for Orchestra, among many other now-standard works, and founded the annual Tanglewood Music Festival and its associated talent-development classes, with the BSO in residence. <a href="spotify:artist:4wPH3awoVXijuEmNElbpmt">Koussevitsky</a> was succeeded by Alsatian-French <a href="spotify:artist:2RKnompMfdeZsyis6Gs4ce">Charles Münch</a> (1949-1963) and the Austrian-Jewish <a href="spotify:artist:4WAWF88jefCusmHVGL0qem">Erich Leinsdorf</a>, whose <a href="spotify:search:label%3A%22RCA%22">RCA</a> recordings were central to collections in the LP era in the U.S. <a href="spotify:artist:4WAWF88jefCusmHVGL0qem">Leinsdorf</a> was succeeded for several years by the ailing <a href="spotify:artist:3oLKocKU2vgprWeskj53Fo">William Steinberg</a> and in 1973 by Japanese-born <a href="spotify:artist:0atCvjK2GL6ezQFGOQOYQo">Seiji Ozawa</a>, whose leadership was artistically controversial but long, and also marked by significant recordings, mostly on the <a href="spotify:search:label%3A%22Deutsche+Grammophon%22">Deutsche Grammophon</a> label. Another conductor with an operatic background, <a href="spotify:artist:4qFQgEF1rg6a9WvJM0MQIa">James Levine</a>, followed <a href="spotify:artist:0atCvjK2GL6ezQFGOQOYQo">Ozawa</a> in 2002; he stepped down due to ill health and Latvian conductor <a href="spotify:artist:6fkV4LaygxybcMjo4cJLrI">Andris Nelsons</a>, who had taken on <a href="spotify:artist:2ANtgfhQkKpsW6EYSDqldz">Mahler</a>'s vast Symphony No. 8 ("Symphony of a Thousand") as an emergency replacement for <a href="spotify:artist:4qFQgEF1rg6a9WvJM0MQIa">Levine</a>, was named conductor. His contract has been extended through 2022, and he has led the orchestra in new recordings with <a href="spotify:search:label%3A%22Deutsche+Grammophon%22">Deutsche Grammophon</a>, including a live cycle of the symphonies of <a href="spotify:artist:6s1pCNXcbdtQJlsnM1hRIA">Dmitri Shostakovich</a>. A notable feature of the orchestra's musical life is the existence of the <a href="spotify:artist:7CIcEIOiWaZcEH35cpsdZq">Boston Pops</a> light music orchestra, with personnel drawn from the ranks of the BSO; under conductor <a href="spotify:artist:2JQBcP1ceEAdwHM6cvSCv8">Arthur Fiedler</a> (son of Max), that group attained unprecedented popularity on American radio and television as well as in live concerts. The Boston Symphony Orchestra has also been heard on the scores of two films by director Steven Spielberg, Schindler's List and Saving Private Ryan, with the scores' composer, <a href="spotify:artist:3dRfiJ2650SZu6GbydcHNb">John Williams</a>, as conductor.

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