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A roots rock pioneer, Carla Olson is a highly regarded singer/songwriter, guitarist, and producer who has been at the forefront of the rock and Americana scene for over 30 years. Olson first emerged in the late 1970s with her band <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a>, playing a mix of blues, country, and old-school rock & roll. Marked by her soulfully weathered vocals and twangy guitar chops, she earned a cult following with <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a>' 1984 debut, Midnight Mission. She also garnered respect from the folk-rockers who preceded her, including <a href="spotify:artist:1PCZpxHJz7WAMF8EEq8bfc">the Byrds</a>' singer/songwriter <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Gene Clark</a>, whom she joined for the influential 1987 album So Rebellious a Lover. She also recorded with former <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">Rolling Stones</a> guitarist <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Mick Taylor</a>. Away from <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a>, Olson has issued her own albums including 1993's Reap the Whirlwind, 2013's Have Harmony, Will Travel, and 2019's <a href="spotify:artist:7iiAeyHNSqp3toH2H7dauE">Todd Wolfe</a> collaboration The Hidden Hills Sessions, all of which showcase her melodically earthy songwriting style and strong grasp on roots music traditions.
Born in Austin in 1952, Olson was introduced to music at age five by her father, a classical pianist. Having started out on piano, by age 13 she had switched to acoustic guitar and spent hours learning how to play along with records by <a href="spotify:artist:1EevBGfUh3RSQSGpluxgBm">Joan Baez</a>, <a href="spotify:artist:74ASZWbe4lXaubB36ztrGX">Bob Dylan</a>, <a href="spotify:artist:3WrFJ7ztbogyGnTHbHJFl2">the Beatles</a>, <a href="spotify:artist:4ACplpEqD6JIVgKrafauzs">the Everly Brothers</a>, <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">the Rolling Stones</a>, and <a href="spotify:artist:1PCZpxHJz7WAMF8EEq8bfc">the Byrds</a>. By 1967 she had sold her acoustic guitar to buy an electric and began playing in local bands. It was during this period that she befriended musician <a href="spotify:artist:5dbuFbrHa1SJlQhQX9OUJ2">Don Henley</a>, who was then playing in a band with guitarist <a href="spotify:artist:4CxobvwTpmfpIEbkYh4pAb">Eric Johnson</a>. After high school, she spent several months traveling in Italy before returning home to Austin. It was there, in 1977, that she formed the punk outfit the Violators with future <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">Go-Go's</a> guitarist <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Kathy Valentine</a>. After a year, Olson and <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a> moved to Los Angeles, where they formed the seminal roots rock band <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a>. The group built a local following playing clubs like The Whisky, Starwood, and Madame Wong's, and released a three-song EP on the British <a href="spotify:search:label%3A%22Chiswick%22">Chiswick</a> label which included the track "Vacation," later a hit for <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">the Go-Go's</a>. They also recorded <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a>'s song "We Don't Get Along" (also later recorded by <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">the Go-Go's</a>) with <a href="spotify:artist:5G6M0zMrYh1mOMVzp7E0OW">Dwight Twilley</a> bandmate <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Phil Seymour</a> for his 1980 debut album.
Around this time, <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a> left the group to join <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">the Go-Go's</a> full-time and Olson continued leading <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a> as a trio, eventually adding longtime Texas friend George Callins on guitar and Tom Junior Morgan on sax and keyboards. More lineup changes found bassist <a href="spotify:artist:7APxTOyjCdOUsLUKVR63u1">Dave Provost</a> leaving to join <a href="spotify:artist:1l0eT7EY5r7U1gMVm2SyoS">the Dream Syndicate</a>; he was replaced by Joe Read, and drummer Mark Cuff was replaced by <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Seymour</a>. This version of <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a> signed with <a href="spotify:search:label%3A%22A%26M%22">A&M</a> and released their influential 1984 debut album, Midnight Mission, produced by <a href="spotify:artist:1ZgAaa9V4Uy5IqW95mIBGm">Barry Goldberg</a>. Prior to the album's recording, Olson had befriended former <a href="spotify:artist:1PCZpxHJz7WAMF8EEq8bfc">Byrds</a> singer <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Gene Clark</a>. Subsequently, <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Clark</a> and hometown friend <a href="spotify:artist:5dbuFbrHa1SJlQhQX9OUJ2">Don Henley</a> sang backing vocals on the album, which also featured slide guitar contributions from <a href="spotify:artist:1CPwHx5lgVxv0rfcp7UXLx">Ry Cooder</a>. Well-received, the album charted at 76 on the Billboard 200, and spawned the singles "Standing in the Line" and "Midnight Mission." While touring in support of the album, <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Seymour</a> was diagnosed with lymphoma and left the group (he ultimately died from the disease in 1993). Olson's sophomore album with <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a>, Cedar Creek, arrived in 1987 and featured the addition of drummer Rick Hemmert, as well as contributions by <a href="spotify:artist:5HVDf6EAbKdW7Md5V3VL8I">Ian McLagan</a> and Howie Epstein.
Also in 1987, Olson joined <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Gene Clark</a> for the landmark collaboration So Rebellious a Lover. Often cited as one of the first true Americana albums, it showcased the duo's earthy spontaneity and vocal harmonies. The following year, she issued her own eponymous solo album, recorded in Malmo, Sweden. Later reissued as Rubies & Diamonds, it included contributions by <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">Textones</a> bandmate George Callins, as well as members of the Swedish rock band <a href="spotify:artist:6yT4ID0YITwJKB9KOiZ41t">Wilmer X</a>. In 1990, she joined former <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">Rolling Stones</a> guitarist <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Mick Taylor</a> for a live concert at the Roxy Theatre in Hollywood. Coincidentally, in 1983 Olson had appeared in <a href="spotify:artist:74ASZWbe4lXaubB36ztrGX">Bob Dylan</a>'s music video for his song "Sweetheart Like You" standing in for <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Taylor</a>, who had played the guitar solo on the track. Olson and <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Taylor</a>'s live album was released as Too Hot for Snakes in 1991 and found them playing a mix of their own songs as well as a cover of <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">the Rolling Stones</a>' "Sway."
In 1993, Olson released her second proper solo album, Within an Ace, playing a mix of rock, blues, and country. Reap the Whirlwind arrived the following year and marked a period of relative quiet for the singer/guitarist, who began a shift toward other studio work, producing albums for artists including <a href="spotify:artist:6wCBv5RiL3RRvkogMR51YL">Mare Winningham</a>, Davis Gaines, <a href="spotify:artist:11LAePIczpCSQBSEXw22qK">Phil Upchurch</a>, and others. She returned to her solo work in 2001 with The Ring of Truth, which found her reuniting with <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Mick Taylor</a>. More production work followed including sessions with <a href="spotify:artist:3rRmDmzPcAFwcUDvG5gBqO">Percy Sledge</a>, <a href="spotify:artist:1ZgAaa9V4Uy5IqW95mIBGm">Barry Goldberg</a>, <a href="spotify:artist:5MPJKwuEzyWgfueKrogllD">Joe Louis Walker</a>, and <a href="spotify:artist:0GWOUJefp6xYKhmBdeA68n">Doña Oxford</a>, among others.
Olson returned to her own recording with 2013's Have Harmony, Will Travel, a covers album which featured a bevy of guest vocalists, including <a href="spotify:artist:771bZ8ZHkvOqkI7baL68X3">Peter Case</a>, <a href="spotify:artist:4L1z1IcfK7lbqx8izGHaw5">Juice Newton</a>, Scott Kempner, and <a href="spotify:artist:11YXnSvcY8CvJJvSfp0Vvq">John York</a>. An expanded reissue of <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a> albums Midnight Mission and Cedar Creek, appeared on <a href="spotify:search:label%3A%22Omnivore+Records%22">Omnivore Records</a> in 2015. Two years later, <a href="spotify:search:label%3A%22Sunset+Blvd+Records%22">Sunset Blvd Records</a> gave Olson's 1988 eponymous solo debut its first U.S. release as Rubies & Diamonds. In 2018, Olson and <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a> released their long-awaited third studio album, Old Stone Gang. Recorded over a six-year period, it featured guest spots by <a href="spotify:artist:1ZgAaa9V4Uy5IqW95mIBGm">Barry Goldberg</a>, <a href="spotify:artist:7iiAeyHNSqp3toH2H7dauE">Todd Wolfe</a>, the late <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Phil Seymour</a>, and <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Kathy Valentine</a>. Olson then paired again with <a href="spotify:artist:7iiAeyHNSqp3toH2H7dauE">Wolfe</a> for 2019's The Hidden Hills Sessions. 2020 brought Have Harmony, Will Travel 2, a sequel to her 2013 effort, in which she sang alongside <a href="spotify:artist:2VbrivHnDf4Z43xPTgqvym">Timothy B. Schmit</a>, <a href="spotify:artist:3rRmDmzPcAFwcUDvG5gBqO">Percy Sledge</a>, <a href="spotify:artist:3gZ4Lrq3hdTnUv43ZMj0Yi">Peter Noone</a>, and Mare Winngham, among others. ~ Matt Collar, Rovi
Born in Austin in 1952, Olson was introduced to music at age five by her father, a classical pianist. Having started out on piano, by age 13 she had switched to acoustic guitar and spent hours learning how to play along with records by <a href="spotify:artist:1EevBGfUh3RSQSGpluxgBm">Joan Baez</a>, <a href="spotify:artist:74ASZWbe4lXaubB36ztrGX">Bob Dylan</a>, <a href="spotify:artist:3WrFJ7ztbogyGnTHbHJFl2">the Beatles</a>, <a href="spotify:artist:4ACplpEqD6JIVgKrafauzs">the Everly Brothers</a>, <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">the Rolling Stones</a>, and <a href="spotify:artist:1PCZpxHJz7WAMF8EEq8bfc">the Byrds</a>. By 1967 she had sold her acoustic guitar to buy an electric and began playing in local bands. It was during this period that she befriended musician <a href="spotify:artist:5dbuFbrHa1SJlQhQX9OUJ2">Don Henley</a>, who was then playing in a band with guitarist <a href="spotify:artist:4CxobvwTpmfpIEbkYh4pAb">Eric Johnson</a>. After high school, she spent several months traveling in Italy before returning home to Austin. It was there, in 1977, that she formed the punk outfit the Violators with future <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">Go-Go's</a> guitarist <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Kathy Valentine</a>. After a year, Olson and <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a> moved to Los Angeles, where they formed the seminal roots rock band <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a>. The group built a local following playing clubs like The Whisky, Starwood, and Madame Wong's, and released a three-song EP on the British <a href="spotify:search:label%3A%22Chiswick%22">Chiswick</a> label which included the track "Vacation," later a hit for <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">the Go-Go's</a>. They also recorded <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a>'s song "We Don't Get Along" (also later recorded by <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">the Go-Go's</a>) with <a href="spotify:artist:5G6M0zMrYh1mOMVzp7E0OW">Dwight Twilley</a> bandmate <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Phil Seymour</a> for his 1980 debut album.
Around this time, <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a> left the group to join <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">the Go-Go's</a> full-time and Olson continued leading <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a> as a trio, eventually adding longtime Texas friend George Callins on guitar and Tom Junior Morgan on sax and keyboards. More lineup changes found bassist <a href="spotify:artist:7APxTOyjCdOUsLUKVR63u1">Dave Provost</a> leaving to join <a href="spotify:artist:1l0eT7EY5r7U1gMVm2SyoS">the Dream Syndicate</a>; he was replaced by Joe Read, and drummer Mark Cuff was replaced by <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Seymour</a>. This version of <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a> signed with <a href="spotify:search:label%3A%22A%26M%22">A&M</a> and released their influential 1984 debut album, Midnight Mission, produced by <a href="spotify:artist:1ZgAaa9V4Uy5IqW95mIBGm">Barry Goldberg</a>. Prior to the album's recording, Olson had befriended former <a href="spotify:artist:1PCZpxHJz7WAMF8EEq8bfc">Byrds</a> singer <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Gene Clark</a>. Subsequently, <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Clark</a> and hometown friend <a href="spotify:artist:5dbuFbrHa1SJlQhQX9OUJ2">Don Henley</a> sang backing vocals on the album, which also featured slide guitar contributions from <a href="spotify:artist:1CPwHx5lgVxv0rfcp7UXLx">Ry Cooder</a>. Well-received, the album charted at 76 on the Billboard 200, and spawned the singles "Standing in the Line" and "Midnight Mission." While touring in support of the album, <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Seymour</a> was diagnosed with lymphoma and left the group (he ultimately died from the disease in 1993). Olson's sophomore album with <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a>, Cedar Creek, arrived in 1987 and featured the addition of drummer Rick Hemmert, as well as contributions by <a href="spotify:artist:5HVDf6EAbKdW7Md5V3VL8I">Ian McLagan</a> and Howie Epstein.
Also in 1987, Olson joined <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Gene Clark</a> for the landmark collaboration So Rebellious a Lover. Often cited as one of the first true Americana albums, it showcased the duo's earthy spontaneity and vocal harmonies. The following year, she issued her own eponymous solo album, recorded in Malmo, Sweden. Later reissued as Rubies & Diamonds, it included contributions by <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">Textones</a> bandmate George Callins, as well as members of the Swedish rock band <a href="spotify:artist:6yT4ID0YITwJKB9KOiZ41t">Wilmer X</a>. In 1990, she joined former <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">Rolling Stones</a> guitarist <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Mick Taylor</a> for a live concert at the Roxy Theatre in Hollywood. Coincidentally, in 1983 Olson had appeared in <a href="spotify:artist:74ASZWbe4lXaubB36ztrGX">Bob Dylan</a>'s music video for his song "Sweetheart Like You" standing in for <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Taylor</a>, who had played the guitar solo on the track. Olson and <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Taylor</a>'s live album was released as Too Hot for Snakes in 1991 and found them playing a mix of their own songs as well as a cover of <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">the Rolling Stones</a>' "Sway."
In 1993, Olson released her second proper solo album, Within an Ace, playing a mix of rock, blues, and country. Reap the Whirlwind arrived the following year and marked a period of relative quiet for the singer/guitarist, who began a shift toward other studio work, producing albums for artists including <a href="spotify:artist:6wCBv5RiL3RRvkogMR51YL">Mare Winningham</a>, Davis Gaines, <a href="spotify:artist:11LAePIczpCSQBSEXw22qK">Phil Upchurch</a>, and others. She returned to her solo work in 2001 with The Ring of Truth, which found her reuniting with <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Mick Taylor</a>. More production work followed including sessions with <a href="spotify:artist:3rRmDmzPcAFwcUDvG5gBqO">Percy Sledge</a>, <a href="spotify:artist:1ZgAaa9V4Uy5IqW95mIBGm">Barry Goldberg</a>, <a href="spotify:artist:5MPJKwuEzyWgfueKrogllD">Joe Louis Walker</a>, and <a href="spotify:artist:0GWOUJefp6xYKhmBdeA68n">Doña Oxford</a>, among others.
Olson returned to her own recording with 2013's Have Harmony, Will Travel, a covers album which featured a bevy of guest vocalists, including <a href="spotify:artist:771bZ8ZHkvOqkI7baL68X3">Peter Case</a>, <a href="spotify:artist:4L1z1IcfK7lbqx8izGHaw5">Juice Newton</a>, Scott Kempner, and <a href="spotify:artist:11YXnSvcY8CvJJvSfp0Vvq">John York</a>. An expanded reissue of <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a> albums Midnight Mission and Cedar Creek, appeared on <a href="spotify:search:label%3A%22Omnivore+Records%22">Omnivore Records</a> in 2015. Two years later, <a href="spotify:search:label%3A%22Sunset+Blvd+Records%22">Sunset Blvd Records</a> gave Olson's 1988 eponymous solo debut its first U.S. release as Rubies & Diamonds. In 2018, Olson and <a href="spotify:artist:5wpAZyZ6oYZtHkl5HBJZXc">the Textones</a> released their long-awaited third studio album, Old Stone Gang. Recorded over a six-year period, it featured guest spots by <a href="spotify:artist:1ZgAaa9V4Uy5IqW95mIBGm">Barry Goldberg</a>, <a href="spotify:artist:7iiAeyHNSqp3toH2H7dauE">Todd Wolfe</a>, the late <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Phil Seymour</a>, and <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Kathy Valentine</a>. Olson then paired again with <a href="spotify:artist:7iiAeyHNSqp3toH2H7dauE">Wolfe</a> for 2019's The Hidden Hills Sessions. 2020 brought Have Harmony, Will Travel 2, a sequel to her 2013 effort, in which she sang alongside <a href="spotify:artist:2VbrivHnDf4Z43xPTgqvym">Timothy B. Schmit</a>, <a href="spotify:artist:3rRmDmzPcAFwcUDvG5gBqO">Percy Sledge</a>, <a href="spotify:artist:3gZ4Lrq3hdTnUv43ZMj0Yi">Peter Noone</a>, and Mare Winngham, among others. ~ Matt Collar, Rovi
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