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San Diego's Castanets borrow from country, folk, and experimental rock and turn them into a sound that's equally moody and inspiring. The band, which features a revolving cast of supportive musicians (including members from <a href="spotify:artist:4ZWvN9FEfdTea1SEHjpTNi">Pinback</a>, <a href="spotify:artist:5GOJQ1HSMGp1rEnOhBeH1h">Rocket from the Crypt</a>, and <a href="spotify:artist:3oglFEsE6GvwwJFConxKa5">Tristeza</a>), centers on singer/songwriter Raymond Raposa, who explored the U.S. for four years via Greyhound bus after testing out of high school at age 15. This searching, traveling nature extends to his music, which he initially released as a series of CD-Rs. However, the <a href="spotify:search:label%3A%22Asthmatic+Kitty%22">Asthmatic Kitty</a> label stepped in and released his first widely available album, Cathedral -- the bulk of which was recorded in a cabin in Northern California's woodlands -- in fall 2004. A year later, Raposa and company returned with First Light's Freeze. A period of acute depression followed, during which Raposa was mugged outside of his home in Bedstuy, Brooklyn. In the Vines, Castanets' third release, was completed weeks after the mugging; appropriately dark (but earnest nevertheless), the album was released in October 2007. Recorded in three short weeks in a Nevada desert motel room (alone), the sparse and atmospheric City of Refuge arrived in 2008, followed by Texas Rose, the Thaw and the Beasts in 2009. In 2012, Raposa released Raymond Byron and the White Freighter on <a href="spotify:search:label%3A%22Asthmatic+Kitty%22">Asthmatic Kitty</a>, and while technically a new band, it featured many of the same musicians associated with Raposa's Castanets recordings. Released in 2014, Decimation Blues found Raposa in a more experimental and varied territory than most of his other albums, dabbling with electronics and expanded instrumentation in the framework of his husky-throated Americana. Raymond Raposa died on July 30, 2022 at the age of 41. ~ Heather Phares & Steve Leggett, Rovi

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