Last updated: 5 hours ago
<a href="spotify:playlist:3iaRb0m47D0OS7vYUVHNR2" data-name="CRANEIUM">CRANEIUM</a> doesn’t just play stoner rock—they cultivate it. From the flatlands of Finland, the band has spent over a decade tending to the heavy underground like devoted gardeners, pushing the genre’s boundaries while staying true to its roots.
Their sound fuses hypnotic grooves, fuzz-drenched riffs, and soaring melodies into something unmistakably their own. Live, Craneium is an experience that has been described as a high without the drugs. They’re not just about volume; they’re about atmosphere, tension, and release.
Early on, Craneium was one of the first European bands to release music through Ripple Music—now a heavyweight in the global heavy scene. Albums like <a href="spotify:album:44K9Tu0bDNXsAzXkKDoMJR" data-name="The Narrow Line">The Narrow Line</a> and <a href="spotify:album:5S4nQWwcdVnWQwjjLUBbzX" data-name="Unknown Heights">Unknown Heights</a> built their reputation for genre-blurring, immersive songwriting.
Craneium’s latest full-length, <a href="spotify:album:2RoHfEj9a6ynuaavGqdakl" data-name="Point of No Return">Point of No Return</a> (2024, The Sign Records), featured guest appearances from Robert Lamu (<a href="spotify:artist:5ujmjNmUSBQleVXLTmPqkb" data-name="Skraeckoedlan">Skraeckoedlan</a>) and Frida Eurenius (<a href="spotify:artist:4tWZCjRcZnRVYQeIaxLnXA" data-name="Spiral Skies">Spiral Skies</a>).
The standalone single <a href="spotify:track:703q0ToA5bChtkFhcu6x7h" data-name="Empty Palaces">Empty Palaces</a> was the start of Craneium’s collaboration with <a href="spotify:playlist:47j2hh8XgkWMbW8d05MXyp" data-name="Majestic Mountain Records ">Majestic Mountain Records </a> and shows the bands constant desire to evolve—always underground, always heavy, and always their own.
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Their sound fuses hypnotic grooves, fuzz-drenched riffs, and soaring melodies into something unmistakably their own. Live, Craneium is an experience that has been described as a high without the drugs. They’re not just about volume; they’re about atmosphere, tension, and release.
Early on, Craneium was one of the first European bands to release music through Ripple Music—now a heavyweight in the global heavy scene. Albums like <a href="spotify:album:44K9Tu0bDNXsAzXkKDoMJR" data-name="The Narrow Line">The Narrow Line</a> and <a href="spotify:album:5S4nQWwcdVnWQwjjLUBbzX" data-name="Unknown Heights">Unknown Heights</a> built their reputation for genre-blurring, immersive songwriting.
Craneium’s latest full-length, <a href="spotify:album:2RoHfEj9a6ynuaavGqdakl" data-name="Point of No Return">Point of No Return</a> (2024, The Sign Records), featured guest appearances from Robert Lamu (<a href="spotify:artist:5ujmjNmUSBQleVXLTmPqkb" data-name="Skraeckoedlan">Skraeckoedlan</a>) and Frida Eurenius (<a href="spotify:artist:4tWZCjRcZnRVYQeIaxLnXA" data-name="Spiral Skies">Spiral Skies</a>).
The standalone single <a href="spotify:track:703q0ToA5bChtkFhcu6x7h" data-name="Empty Palaces">Empty Palaces</a> was the start of Craneium’s collaboration with <a href="spotify:playlist:47j2hh8XgkWMbW8d05MXyp" data-name="Majestic Mountain Records ">Majestic Mountain Records </a> and shows the bands constant desire to evolve—always underground, always heavy, and always their own.
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Monthly Listeners
1,590
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2,460
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