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Originally known as the Whitey on the Moon UK, Department of Eagles blossomed from the recording project of two college roommates into purveyors of ambitious yet intimate music inspired by <a href="spotify:artist:3M8NUieZuEOMs0Hf210w4n">Van Dyke Parks</a> and <a href="spotify:artist:4STHEaNw4mPZ2tzheohgXB">Paul McCartney</a>. Fred Nicolaus and <a href="spotify:artist:2N7DBqf05DIw5tqKLRAUq4">Daniel Rossen</a> met in 2000, when they were assigned as each other's roommates during their freshman year at New York University. During their spring semester, they began experimenting with samples, recording software, and guitars, making music with the atmospheric sweep of symphonic and electronic pop and the intimacy of folk. Initially, <a href="spotify:artist:2N7DBqf05DIw5tqKLRAUq4">Rossen</a> and Nicolaus intended their music to be heard just by their friends, but California indie label <a href="spotify:search:label%3A%22Isota+Records%22">Isota Records</a> released the duo's debut EP, Mo' Tussin, in 2002 and The Noam Chomsky Spring Break EP the following year. Those EPs, plus some extra studio recordings, were compiled to make The Whitey on the Moon UK LP, which <a href="spotify:search:label%3A%22Isota%22">Isota</a> also issued in 2003. However, upon discovering a San Francisco band with the name <a href="spotify:artist:7EME38nWy7j5XcAluaFHlq">the Whitey on the Moon</a>, <a href="spotify:artist:2N7DBqf05DIw5tqKLRAUq4">Rossen</a> and Nicolaus changed their project's moniker to Department of Eagles, and the album's name was changed to The Cold Nose and issued in the U.K. by <a href="spotify:search:label%3A%22Melodic%22">Melodic</a> in 2005 and reissued in the U.S. with four bonus tracks by <a href="spotify:search:label%3A%22American+Dust%22">American Dust</a> in 2007. Meanwhile, in 2004, <a href="spotify:artist:2N7DBqf05DIw5tqKLRAUq4">Rossen</a> joined <a href="spotify:artist:2Jv5eshHtLycR6R8KQCdc4">Grizzly Bear</a> in time to contribute tracks to their breakthrough album, 2006's Yellow House; that year, Department of Eagles' odds-and-ends EP A Johnny Glaze Christmas: Classical Snatches and Samples a Go-Go was released. During that time, <a href="spotify:artist:2N7DBqf05DIw5tqKLRAUq4">Rossen</a> and Nicolaus continued to work on tracks, gathering enough material for an album by late 2007. <a href="spotify:artist:2Jv5eshHtLycR6R8KQCdc4">Grizzly Bear</a>'s Chris Taylor and Christopher Bear, as well as bassist <a href="spotify:artist:0HCQazVoS3AFkWK9qNRZc2">Nat Baldwin</a>, joined <a href="spotify:artist:2N7DBqf05DIw5tqKLRAUq4">Rossen</a> and Nicolaus for the sessions, which were completed in spring 2008; the resulting album, In Ear Park, was inspired by <a href="spotify:artist:2N7DBqf05DIw5tqKLRAUq4">Rossen</a>'s late father and released by <a href="spotify:search:label%3A%224AD%22">4AD</a> that fall. The odds-and-ends collection Archive 2003-2006, which included tracks from their aborted sophomore album and pieces that were later used by <a href="spotify:artist:2Jv5eshHtLycR6R8KQCdc4">Grizzly Bear</a>, arrived in 2010. ~ Heather Phares, Rovi
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