Papercuts

West Coast soft pop practitioners Papercuts are based around the skills of Jason Quever, a multi-instrumentalist and producer with a firm grasp on 50 years' worth of pop, whether it's indie, Baroque, folk, or noise. Whether working alone (as on early albums like 2007's Can't Go Back) or with collaborators (2011's album for <a href="spotify:search:label%3A%22Sub+Pop%22">Sub Pop</a>, Fading Parade), Quever's trademark sound blends echoing guitars and full arrangements with melancholy melodies and his faded whisper of a voice. It's a template used by many, but Quever's skill as a producer (as evidenced by his busy slate of studio work with the likes of <a href="spotify:artist:2AACqFGo8offvHCKGvrWxq">Luna</a> and <a href="spotify:artist:56ZTgzPBDge0OvCGgMO3OY">Beach House</a>) vaults Papercuts past most of their contemporaries, even when tweaking the formula, as on 2018's shoegaze-inspired Parallel Universe Blues. That album, paired with 2022's Past Life Regression, also displays Quever's full flowering as a songwriter, crafting hooks as strong, and melodies as memorable, as any of his influences did.

Quever was brought up in a commune in Humboldt County, California. After both his parents' early deaths, he traveled alone up and down the West Coast before eventually settling in San Francisco. His musical career began when he used the apartment of a vacationing friend to record piano tracks for <a href="spotify:artist:2iUVQjheBnvOt8vaBrxXJz">Cass McCombs</a>' 2002 album Not the Way. This was the start of a busy few years collaborating with others (like <a href="spotify:artist:4FdSsjcX7vzOnN5zNqQWAy">Casiotone for the Painfully Alone</a>, <a href="spotify:artist:28kkIX5npKFkG9becBQMyb">the Skygreen Leopards</a>, and <a href="spotify:artist:7ACSlU8kTcQIbvpwLWze8E">Vetiver</a>) while also starting up Papercuts. The first Papercuts album, Mockingbird, arrived in 2004, then Can't Go Back followed in 2007. It was released on the <a href="spotify:search:label%3A%22Gnomonsong%22">Gnomonsong</a> label, run by <a href="spotify:artist:1YZEoYFXx4AxVv13OiOPvZ">Devendra Banhart</a> and <a href="spotify:artist:7ACSlU8kTcQIbvpwLWze8E">Vetiver</a>'s Andy Cabic, and in support of that record, Papercuts toured throughout the U.S. with <a href="spotify:artist:2Jv5eshHtLycR6R8KQCdc4">Grizzly Bear</a>.

Up to that point, Papercuts records were mainly solo Quever works recorded at his self-built Pan American home studio, but on 2009's You Can Have What You Want, Alex Scally of <a href="spotify:artist:56ZTgzPBDge0OvCGgMO3OY">Beach House</a> not only contributed bass, keyboards, and percussion, but also assisted with string arrangements and session engineering. The next Papercuts album took the collaborative spirit even further, with Quever using members of his live band (keyboardist <a href="spotify:artist:4cK5bk6sMiLMU2FRWQQzdA">David Enos</a>, drummer Graham Hill, and bassist Frankie Koeller) as well as producer Thom Monahan to help record the road-tested songs. The set was the first Papercuts album to be recorded outside Pan American, as parts of it were tracked at the Hangar in Sacramento. It was also the band's <a href="spotify:search:label%3A%22Sub+Pop%22">Sub Pop</a> debut, and the legendary label released the sprightly, more expansive Fading Parade in 2011.

After this, Quever put the band on the back burner and focused more attention on producing other artists. A few notable albums he worked on at this point were <a href="spotify:artist:0GIAwAmckwR3DW6ivVqZbz">Donovan Quinn</a>'s Honky Tonk Medusa, <a href="spotify:artist:7hR1nc352bF29oLx9nAMuj">Dean Wareham</a>'s Emancipated Hearts, and <a href="spotify:artist:6pa8mi8QhnMx1wn6XMO8U3">Eux Autres</a>' Sun Is Sunk. He had also been working on another Papercuts album during this time, recording at Pan American with occasional guests like Graham Hill and a small string section. The resulting Life Among the Savages was released in May 2014 for new labels <a href="spotify:search:label%3A%22Easy+Sound%22">Easy Sound</a> in the U.S. and <a href="spotify:search:label%3A%22Memphis+Industries%22">Memphis Industries</a> in the U.K.

After a spot of touring, Quever again put the group on hold and moved behind the scenes to work on albums by <a href="spotify:artist:73IpVw0OL0k4tw1xhaZcCE">the Mantles</a>, <a href="spotify:artist:3y6SKYXXP4lrliD6CzVXH3">Sugar Candy Mountain</a>, <a href="spotify:artist:2AACqFGo8offvHCKGvrWxq">Luna</a>, and <a href="spotify:artist:56ZTgzPBDge0OvCGgMO3OY">Beach House</a>. He also moved from San Francisco to Los Angeles, dismantling his home studio in the process. The next Papercuts LP was recorded at Palmetto Studios in L.A. with minimal outside help, and found Quever stripping back the usual lush arrangements in favor of a shoegaze-inspired approach. Fittingly, the record, 2018's Parallel Universe Blues, was released by <a href="spotify:search:label%3A%22Slumberland+Records%22">Slumberland Records</a>, home to many great shoegaze and dream pop albums over the years. Quever shifted back behind the scenes after this, working as a producer on albums by <a href="spotify:artist:7hR1nc352bF29oLx9nAMuj">Dean Wareham</a>, <a href="spotify:artist:3y6SKYXXP4lrliD6CzVXH3">Sugar Candy Mountain</a>, and Dark Tea, while also moving back to the Bay Area.

He resurfaced as a solo artist in 2021 with a five-song EP titled Baxter's Bliss, which was more home-cooked dream pop issued on his own Psychic Friends label. On it, he covered songs by <a href="spotify:artist:6guTJsgPymDUVfqDJyz5UG">Galaxie 500</a> and <a href="spotify:artist:5l8VQNuIg0turYE1VtM9zV">Leonard Cohen</a>, alongside three new songs that dealt with the uncertainty of life in COVID times. Past Life Regression, the eighth Papercuts album, was released by <a href="spotify:search:label%3A%22Slumberland%22">Slumberland</a> in April of the following year. With a similar sonic feel to the previous two records, it dealt in greater detail with the stresses of the modern world while bathing the sound in gentle layers of stringed instruments, keyboards, and reverb. ~ Kenyon Hopkin & Tim Sendra, Rovi