Last updated: 4 hours ago
D’Monk (pronounced duh’munk) is an instrumentalist, producer and selector from London with heavy ties to Berlin. His music emanates the raw and the soulful — representing an eclectic collage of his influences — whether in the form of recorded songs, DJ sets or his body-stirring live performances.
It’s an approach which has seen him gain support from a varied who’s who; from Brainfeeder’s Flying Lotus and Dorian Concept to DJ Spinna, Rush Hour and ADE 2024, where he is set to perform his trademark live set blend of analogue driven grooves and luscious, soulful soundscapes.
In October 2024, he drops his debut EP ‘Shine’ via London’s well-respected Touching Bass.
Across six tracks, D’Monk makes a strong claim for strongest introduction of the year, falling somewhere between warm-n-fuzzy electro, LDN broken beat, beatdown and the drunken, undefinable soul-dance of Detroit.
With Ken Okuda, Orlando Rosé, Amirah Aziz and Annalisa La Mela, D’Monk runs the Berlin-based party and soon-to-be label, Shush. Alongside their community, the crew are developing an essential foothold within a brimming scene of Berlinites who favour groove over the robotic ‘oontz-oontz’ so traditionally linked with the German capital.
It’s an approach which has seen him gain support from a varied who’s who; from Brainfeeder’s Flying Lotus and Dorian Concept to DJ Spinna, Rush Hour and ADE 2024, where he is set to perform his trademark live set blend of analogue driven grooves and luscious, soulful soundscapes.
In October 2024, he drops his debut EP ‘Shine’ via London’s well-respected Touching Bass.
Across six tracks, D’Monk makes a strong claim for strongest introduction of the year, falling somewhere between warm-n-fuzzy electro, LDN broken beat, beatdown and the drunken, undefinable soul-dance of Detroit.
With Ken Okuda, Orlando Rosé, Amirah Aziz and Annalisa La Mela, D’Monk runs the Berlin-based party and soon-to-be label, Shush. Alongside their community, the crew are developing an essential foothold within a brimming scene of Berlinites who favour groove over the robotic ‘oontz-oontz’ so traditionally linked with the German capital.
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