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Dopplereffekt&#39;s sound combines mechanistic Detroit techno with an uncanny pathos: their synthscapes “fetishize science” and suggest abandoned futures. Its founder Gerald Donald (Rudolf Klorzeiger) who has long been known as one half of <a href="spotify:artist:3KcV1kKG7Y0Gq7xPAGVjkZ" data-name="Drexciya">Drexciya</a> has spent the past two decades departing from the submerged mythology of <a href="spotify:artist:3KcV1kKG7Y0Gq7xPAGVjkZ" data-name="Drexciya">Drexciya</a> into his own cosmotechnical praxis. Dopplereffekt (with To-Nhan) debuted with Fascist State EP in 1995 on Donald&#39;s own Dataphysix Engineering label and Gesamtkunstwerk in 1999 through <a href="spotify:artist:4WgFczZafuUFBvsCuSK44C" data-name="DJ Hell">DJ Hell</a>&#39;s International Deejay Gigolo Records. Intended to be a “total work of art” of abstract science and techno-politics, Dopplereffekt&#39;s titles and music draw from theoretical physics on early albums like Linear Accelerator in 2003 and Calabi Yau Space on <a href="spotify:artist:6kBDZFXuLrZgHnvmPu9NsG" data-name="Aphex Twin">Aphex Twin</a>&#39;s Rephlex in 2007.

Leisure System’s revival of Dopplereffekt in the 2010s continued this arc, forming a clear continuation of Donald’s post-<a href="spotify:artist:3KcV1kKG7Y0Gq7xPAGVjkZ" data-name="Drexciya">Drexciya</a>n myth-science. The 2017 album Cellular Automata stripped away beats to expose algorithmic fragments of harmonic progression, while Neurotelepathy in 2022 explored brain-computer fusion borrowing track titles like “Epigenetic Modulation” and “Neural Impulse Activator”. Metasymmetry, the duo&#39;s 2025 debut on Tresor Records continues this lineage.

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