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Born Earl Stevens on November 15, 1967, in Vallejo, California, E-40 made his rap debut in 1990 on Let's Side, an EP by <a href="spotify:artist:3s1xcekYgnSkBm8QK1uBYD">the Click</a>. The EP was co-produced by Mike Mosley and Al Eaton. In 1993, E-40 made his solo album debut, Federal, a nine-track LP/14-track CD produced by Studio Ton and released by <a href="spotify:search:label%3A%22Sick+wid%27+It+%22">Sick wid' It </a>in association with <a href="spotify:search:label%3A%22SMG%22">SMG</a> (<a href="spotify:search:label%3A%22Solar+Music+Group%22">Solar Music Group</a>), a regional distributor. In 1994, on the strength of the regionally popular, independently released single "Captain Save a Hoe" (aka "Captain Save 'Em Thoe") from the six-track Mail Man EP, E-40 signed a recording contract with <a href="spotify:search:label%3A%22Jive+Records%22">Jive Records</a>, the home of Bay Area pioneer <a href="spotify:artist:4sb7rZNN93BSS6Gqgepo4v">Too $hort</a> since 1987. <a href="spotify:search:label%3A%22Jive%22">Jive</a> re-released "Captain Save a Hoe" on 12" and also re-released the Mail Man EP, adding two bonus tracks; all the songs on the EP, including "Captain Save a Hoe," were produced by Studio Ton, except one of the bonus tracks, "Ballin' Out of Control," which was produced by Mike Mosley and <a href="spotify:artist:2efi9WV3Xk78woTKNL7UW6">Sam Bostic</a>.
In 1995 alone, <a href="spotify:search:label%3A%22Jive%22">Jive</a> released four E-40 albums: a reissue of <a href="spotify:artist:3s1xcekYgnSkBm8QK1uBYD">the Click</a>'s [RoviLink="MW"]Down and Dir
ty[/RoviLink]; Game Related, a newly recorded album by <a href="spotify:artist:3s1xcekYgnSkBm8QK1uBYD">the Click</a>; a reconfigured version of Federal; and In a Major Way, a newly recorded album produced by Studio Ton, Mike Mosley/<a href="spotify:artist:2efi9WV3Xk78woTKNL7UW6">Sam Bostic</a>, and <a href="spotify:artist:6bLheAXHjmBHPfpHm1iO1G">Funk Daddy</a>. Of these numerous releases, In a Major Way proved E-40's breakthrough. Featuring a collaboration with fellow Bay Area hardcore rappers <a href="spotify:artist:1ZwdS5xdxEREPySFridCfh">2Pac</a>, <a href="spotify:artist:18jS3V7OkXYfDu3CEK6a0T">Mac Mall</a>, and <a href="spotify:artist:4TqmaFJYM8SvuhrunxpmT3">Spice 1</a>, "Dusted 'n' Disgusted," in addition to several songs that would also become fan favorites, the album sold over one million copies and took the rapper's career to a new level of respectability.
Beginning with Tha Hall of Game (1996), E-40 released six additional solo albums on <a href="spotify:search:label%3A%22Jive%22">Jive</a> -- The Element of Surprise (1998), Charlie Hustle: The Blueprint of a Self-Made Millionaire (1999), Loyalty and Betrayal (2000), Grit & Grind (2002), Breakin News (2003) -- plus one further album by <a href="spotify:artist:3s1xcekYgnSkBm8QK1uBYD">the Click</a>, Money & Muscle (2001). Over the course of these albums, E-40 maintained his regional following and picked up additional fans nationally. Besides "Captain Save a Hoe," two of his <a href="spotify:search:label%3A%22Jive%22">Jive</a> singles charted on the Billboard Hot 100 ("1-Luv," 1995; "Things'll Never Change," 1996). During the late '90s, E-40 was also featured on Southern rap albums such as <a href="spotify:artist:6B16XZWuJ9VERn7pXxCIda">8ball</a>'s Lost, <a href="spotify:artist:7zICaxnDB9ZprDSiFpvbbW">Master P</a>'s MP da Last Don, and <a href="spotify:artist:19KwjzvIL92r29IINtlPNP">Scarface</a>'s My Homies in 1998 alone.
E-40's ties to the South became most clear in 2006, after the expiration of his contract with <a href="spotify:search:label%3A%22Jive%22">Jive</a>, when he partnered with <a href="spotify:artist:7sfl4Xt5KmfyDs2T3SVSMK">Lil Jon</a> and his <a href="spotify:search:label%3A%22BME+Recordings%22">BME Recordings</a> label for My Ghetto Report Card, released in association with <a href="spotify:search:label%3A%22Warner+Bros.%22">Warner Bros.</a> The album -- featuring production from <a href="spotify:artist:7sfl4Xt5KmfyDs2T3SVSMK">Lil Jon</a> as well as Bay Area beatmakers Droop-E, <a href="spotify:artist:7hPPjATqnrrougPWT3VvJn">Rick Rock</a>, Studio Ton, and <a href="spotify:artist:35vghfijSgjpXlOMDjpLWc">Bosko</a> -- was E-40's most successful in years, and it marked his return to the Billboard Hot 100 with a pair of impressively charting singles: "Tell Me When to Go," featuring <a href="spotify:artist:1sPpJhevOYz54gNgeh2LaV">Keak da Sneak</a> (number 35), and "U and Dat," featuring <a href="spotify:artist:3aQeKQSyrW4qWr35idm0cy">T-Pain</a> (number 13). That year, he also appeared on <a href="spotify:artist:7sfl4Xt5KmfyDs2T3SVSMK">Lil Jon</a>'s platinum hit "Snap Yo Fingers." His 2008 effort The Ball Street Journal featured the <a href="spotify:artist:7sfl4Xt5KmfyDs2T3SVSMK">Lil Jon</a> production "Break Ya Ankles" as its lead single, followed by the <a href="spotify:artist:0z4gvV4rjIZ9wHck67ucSV">Akon</a> feature "Wake It Up."
Two years later, E-40 returned with the Revenue Retrievin' project, a double album split into two separate releases. The Day Shift version featured the more street-oriented cuts, while the Night Shift version was filled with club tracks. The project turned into a quadrilogy in 2011 with the simultaneous release of his 13th (the varied Revenue Retrievin': Overtime Shift) and 14th (the very dark Revenue Retrievin': Graveyard Shift) albums. A year later, he returned with another batch of releases, this time divided into three single discs titled The Block Brochure: Welcome to the Soil, Pts. 1, 2, and 3. The year 2014 saw the launch of a four-part album as Sharp on All 4 Corners: Corner 1 and Corner 2 landed. Sharp on All 4 Corners: Corner 3 and Corner 4 were scheduled for 2015 but were preceded the following year by "books" one and two of The D-Boy Diary. Meanwhile, E-40's status as a venerable Bay Area fixture was sustained with appearances on hits by <a href="spotify:artist:0c173mlxpT3dSFRgMO8XPh">Big Sean</a> (the multi-platinum "I Don't Fuck with You"), <a href="spotify:artist:7c0XG5cIJTrrAgEC3ULPiq">Ty Dolla $ign</a> ("Saved"), and <a href="spotify:artist:6Ha4aES39QiVjR0L2lwuwq">Yo Gotti</a> ("Law").
In 2018, E-40 collaborated with <a href="spotify:artist:6nltEpEZtqZD1v4YJLlaZI">B-Legit</a> for Connected and Respected, contributed to the soundtrack for the Oakland-set Blindspotting, and released the full-length album The Gift of Gab. Practice Makes Paper, promoted with "Chase the Money" -- featuring <a href="spotify:artist:0VRj0yCOv2FXJNP47XQnx5">Quavo</a>, <a href="spotify:artist:757aE44tKEUQEqRuT6GnEB">Roddy Ricch</a>, <a href="spotify:artist:5dHt1vcEm9qb8fCyLcB3HL">A$AP Ferg</a>, and <a href="spotify:artist:5IcR3N7QB1j6KBL8eImZ8m">ScHoolboy Q</a> -- arrived the next year. He returned in May 2020 with the EP The Curb Commentator Channel 1, featuring appearances by <a href="spotify:artist:137W8MRPWKqSmrBGDBFSop">Wiz Khalifa</a>, <a href="spotify:artist:7AjokpCIqf0gHMZJlodw2k">Suga Free</a>, <a href="spotify:artist:5bgfj5zUoWpyeVatGDjn6H">K Camp</a>, and <a href="spotify:artist:6nltEpEZtqZD1v4YJLlaZI">B-Legit</a>. Terms & Conditions, a collaboration with <a href="spotify:artist:4sb7rZNN93BSS6Gqgepo4v">Too $hort</a>, arrived that December and was followed in March 2021 by the single "I Stand on That," featuring <a href="spotify:artist:4OBJLual30L7gRl5UkeRcT">T.I.</a> and <a href="spotify:artist:6C1ohJrd5VydigQtaGy5Wa">Joyner Lucas</a>. In 2022, he debuted his supergroup <a href="spotify:artist:3DELNHPLdJgXkDHOTt3ok8">Mount Westmore</a>, comprising <a href="spotify:artist:4sb7rZNN93BSS6Gqgepo4v">Too $hort</a>, <a href="spotify:artist:3Mcii5XWf6E0lrY3Uky4cA">Ice Cube</a>, and <a href="spotify:artist:7hJcb9fa4alzcOq3EaNPoG">Snoop Dogg</a>. He also issued the singles "It's Hard Not To" (with <a href="spotify:artist:2JSwnwAT1BupAQkhqcRCUw">Sada Baby</a>) and "In the Air Where It's Fair" (with <a href="spotify:artist:10R4IEMALwGnHJVPEoumW5">Cousin Fik</a>). Returning to solo work in late 2023, E-40 delivered another full-length, Rule of Thumb. ~ Jason Birchmeier & Andy Kellman, Rovi
Monthly Listeners
3.3 million
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Followers
1.1 million
Followers History
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Total Streams
4.4 billion
Total Streams History
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