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Eek-A-Mouse is a Jamaican reggae and dancehall artist, widely regarded as one of the most distinctive voices to emerge from Jamaica in the early 1980s.
Born Ripton Joseph Hylton on November 19, 1957, in Kingston, Jamaica, he grew up immersed in the island’s sound system culture. His stage name, “Eek-A-Mouse,” was a childhood nickname that later became synonymous with an entirely new vocal identity in reggae.
Eek-A-Mouse rose to prominence with his highly original high-pitched, falsetto delivery, playful scatting, and surreal lyrical style. Blending roots reggae, dancehall, and singjay techniques, he stood apart from his contemporaries, bringing humor, social commentary, and rhythmic experimentation into his performances. His breakthrough came through collaborations with producer Henry “Junjo” Lawes, leading to early hits such as “Wa-Do-Dem” and “Modelling Queen.”
During the 1980s, Eek-A-Mouse became an international figure in reggae, releasing influential albums including Wa-Do-Dem (1981), Skidip! (1982), The Mouse and the Man (1983), and Eek-A-Nomics (1988). He performed extensively across Jamaica, Europe, and the United States, appearing at major festivals such as Reggae Sunsplash, and helping to globalize dancehall culture.
If you have the opportunity, you can always support the musician. PayPal link in profile.
Born Ripton Joseph Hylton on November 19, 1957, in Kingston, Jamaica, he grew up immersed in the island’s sound system culture. His stage name, “Eek-A-Mouse,” was a childhood nickname that later became synonymous with an entirely new vocal identity in reggae.
Eek-A-Mouse rose to prominence with his highly original high-pitched, falsetto delivery, playful scatting, and surreal lyrical style. Blending roots reggae, dancehall, and singjay techniques, he stood apart from his contemporaries, bringing humor, social commentary, and rhythmic experimentation into his performances. His breakthrough came through collaborations with producer Henry “Junjo” Lawes, leading to early hits such as “Wa-Do-Dem” and “Modelling Queen.”
During the 1980s, Eek-A-Mouse became an international figure in reggae, releasing influential albums including Wa-Do-Dem (1981), Skidip! (1982), The Mouse and the Man (1983), and Eek-A-Nomics (1988). He performed extensively across Jamaica, Europe, and the United States, appearing at major festivals such as Reggae Sunsplash, and helping to globalize dancehall culture.
If you have the opportunity, you can always support the musician. PayPal link in profile.
Monthly Listeners
1.3 million
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Followers
302,237
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Top Cities
35,147 listeners
25,667 listeners
21,878 listeners
21,115 listeners
15,905 listeners
