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Frank Stokes and partner Dan Sane recorded as <a href="spotify:artist:6K64Je793mlOw3jL9J9sXw">the Beale Street Sheiks</a>, Memphis' answer to the musical Chatmon family string band <a href="spotify:artist:1yhcG1yQNDC2i8JHlB3HRo">the Mississippi Sheiks</a>. According to local tradition, Stokes was already playing the streets of Memphis by the turn of the century, about the same time the blues began to flourish. As a street artist, he needed a broad repertoire of songs and patter palatable to both Blacks and whites. A medicine show and house party favorite, Stokes was remembered as a consummate entertainer who drew on songs from the 19th and 20th centuries with equal facility. Solo or with Sane and sometimes fiddler <a href="spotify:artist:3EM11s9bwCbwsTX4HDLMiH">Will Batts</a>, Stokes recorded 38 sides for <a href="spotify:search:label%3A%22Paramount%22">Paramount</a> and <a href="spotify:search:label%3A%22Victor%22">Victor</a>. These treasures include blues as well as older pieces: "Chicken You Can't Roost Too High for Me," "Mr. Crump Don't Like It," an outstanding version of "You Shall" (commonly known as "You Shall Be Free"), and "Hey Mourner," a traditional comic anti-clerical piece. Stokes possessed a remarkable declamatory voice and was an adroit guitarist. His duets with Sane merit special attention because of their subtle interplay and propulsive rhythm. ~ Barry Lee Pearson, Rovi

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