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<a href="spotify:artist:3jxpqvEsYc7vrbihTd2F5A">Broadrick</a> was influenced early on by heavy metal, as well as such experimental groups as Can (and <a href="spotify:artist:42TFhl7WlMRXiNqzSrnzPL">Lou Reed</a>'s 1975 noisefest, Metal Machine Music). He formed O.P.D. (Officially Pronounced Dead) with B.C. Green and Paul Neville in 1982, renaming themselves <a href="spotify:artist:1rTI6wrROF4T77qjxVn02I">Fall of Because</a> after a <a href="spotify:artist:0Zy4ncr8h1jd7Nzr9946fD">Killing Joke</a> song and a chapter from an <a href="spotify:artist:47DuABgvLiOkcff3GuGRa7">Aleister Crowley</a> book. The group (as well as <a href="spotify:artist:3jxpqvEsYc7vrbihTd2F5A">Broadrick</a>'s experimental solo project, <a href="spotify:artist:6xdxTUuOgCVPAt64omekuZ">Final</a>) performed a scarcely-attended show with <a href="spotify:artist:3UqRgrDIQ208yNGiWKRMNt">Napalm Death</a> in 1984, and he joined the pioneering grindcore band as a guitarist for a brief time, appearing on the first side of their landmark 1987 debut recording, Scum. However, he left that band and joined Head of David as a drummer. He soon departed Head of David, and sought to form a new group that would be even more musically extreme and experimental. He reformed <a href="spotify:artist:1rTI6wrROF4T77qjxVn02I">Fall of Because</a> as a duo with Green and a drum machine, renaming the act Godflesh.
The duo unleashed a pair of releases that sounded unlike anything at the time: the 1988 EP Godflesh and 1989's full-length Streetcleaner. A healthy buzz began to build around the band, especially in the music press, though the commercial success of more accessible industrial metal bands (<a href="spotify:artist:0X380XXQSNBYuleKzav5UO">Nine Inch Nails</a>, <a href="spotify:artist:1DXylZlWbVvlckNqwvjTEt">Ministry</a>, etc.) eluded them, and Godflesh never broke out of "cult" status. Still, they were namechecked as a major influence by countless artists, including highly popular groups like <a href="spotify:artist:2ye2Wgw4gimLv2eAKyk1NB">Metallica</a> and <a href="spotify:artist:3RNrq3jvMZxD9ZyoOZbQOD">Korn</a>. Godflesh continued issuing further EPs and full-lengths (1992's Pure, 1994's Selfless, 1996's Songs of Love and Hate, and 1999's Us and Them) throughout the '90s, gradually incorporating influences such as dub and drum'n'bass.
Godflesh's first best-of compilation, In All Languages, was issued in 2001, yet the early 21st century saw Godflesh enter a tumultuous period, when Green exited the group shortly after the release of a new studio album, Hymns, that same year. Although a replacement bassist was announced (former <a href="spotify:artist:0Zy4ncr8h1jd7Nzr9946fD">Killing Joke</a>/<a href="spotify:artist:6SER9tY2pDIDVWVf5Ql97B">Prong</a> member <a href="spotify:artist:3KJdpGEeAKGvDyrFssMIDP">Paul Raven</a>), <a href="spotify:artist:3jxpqvEsYc7vrbihTd2F5A">Broadrick</a> announced Godflesh's dissolution in 2002. As a final thank-you to longtime fans, <a href="spotify:artist:3jxpqvEsYc7vrbihTd2F5A">Broadrick</a> decided to re-release an expanded edition of Godflesh's ultra-rare 1994-recorded EP, Messiah, in 2003. In addition to his work with Godflesh, <a href="spotify:artist:3jxpqvEsYc7vrbihTd2F5A">Broadrick</a> headed several record labels (including <a href="spotify:search:label%3A%22Head+Dirt%22">Head Dirt</a>, <a href="spotify:search:label%3A%22Lo+Fibre%22">Lo Fibre</a>, and <a href="spotify:search:label%3A%22Avalanche%22">Avalanche</a>); produced other artists; and also found time for a few side projects, such as <a href="spotify:artist:6xdxTUuOgCVPAt64omekuZ">Final</a>, <a href="spotify:artist:0wnipczytUzHtDCCoCWV6L">Techno Animal</a>, and <a href="spotify:artist:3QUmaRd0UKicN0UB5E3cRp">the Sidewinder</a>, often in collaboration with Kevin Martin. In 2003, <a href="spotify:artist:3jxpqvEsYc7vrbihTd2F5A">Broadrick</a> formed <a href="spotify:artist:1binm59tmJzoZLvLETVYBP">Jesu</a>, a more electronic, shoegaze-influenced successor to Godflesh.
In 2009, <a href="spotify:artist:3jxpqvEsYc7vrbihTd2F5A">Broadrick</a> announced that Godflesh would be reuniting to play the 2010 Hellfest in Clisson, France. While details about other shows remained sparse, the band began to appear at other festivals around Europe, appearing at Roadburn in Holland and the Supersonic Festival in England. Rumblings of a new album began to emerge, and in 2013 the band released its first new material in 12 years, a cover of <a href="spotify:artist:77JUgl0GF2vC0Zua2M5PKh">Slaughter</a>'s "F.O.D." The following year, Godflesh returned with two releases, an EP, Decline & Fall, as well as the band's seventh full-length album, A World Lit Only by Fire. In 2017, Godflesh released Post Self, an album that leaned closer to the group's post-punk and industrial influences rather than metal. The album was issued by <a href="spotify:search:label%3A%22Avalanche%22">Avalanche</a>, with a cassette edition on <a href="spotify:search:label%3A%22Hospital+Productions%22">Hospital Productions</a>. Remix collection New Flesh in Dub Vol. 1 and compilation Long Live the New Flesh (containing the previous two albums and EP plus remixes) appeared in 2021. Pure: Live was released in 2022, and the 2023 studio album Purge revisited the hip-hop influences of the original Pure. ~ Greg Prato & Paul Simpson, Rovi
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