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Before he began recording for the industrial label Wax Trax! as Sister Machine Gun, <a href="spotify:artist:4mYk8gifGkqzxubkro5GJU">Chris Randall</a> worked in the company's mail room and as a roadie for Wax Trax!'s most popular band, <a href="spotify:artist:3V4IvzRQYP5mzuVtkcHgVa">KMFDM</a>. By 1990 he had recorded a demo, which attracted the attention of <a href="spotify:artist:3V4IvzRQYP5mzuVtkcHgVa">KMFDM</a> and earned <a href="spotify:artist:4mYk8gifGkqzxubkro5GJU">Randall</a> a chance to play some live shows. After the tour went well, <a href="spotify:artist:4mYk8gifGkqzxubkro5GJU">Randall</a> recorded an album with Chris Kelly (formerly of Virus 23) and released Sins of the Flesh in 1993. Sister Machine Gun's second album, Torture Technique, followed a year later, after which Kelly left the band. <a href="spotify:artist:4mYk8gifGkqzxubkro5GJU">Randall</a> began working with guitarist Xmas and recorded 1995's Burn with the help of producer <a href="spotify:artist:462xaQ7MU67CqzfoPvhrld">John Fryer</a>, who had previously worked with <a href="spotify:artist:0hRijdwO8UsJMudc3476ma">Trent Reznor</a> on <a href="spotify:artist:0X380XXQSNBYuleKzav5UO">Nine Inch Nails</a>' breakthrough LP, Pretty Hate Machine. In the summer of 1997, Sister Machine Gun returned with Metropolis, following that album with 1999's [R]evolution. 6.0 surfaced in spring 2001. ~ John Bush, Rovi
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