Last updated: 1 day ago
They met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade soundsystem from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilised with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties, and their club nights became local institutions that ran for years with packed dancefloors, and still do to this day!.
By ’98 Laurence and Andy had made the inevitable step into production and the same year the Dropmusic label was born with the release of ‘Inland Knights vol 1’. As Inland Knights Riley and Ritchie undertook a busy schedule in the studio to write tracks for Drop (almost all of the early output was entirely Inland knights, despite many monikers).
Dropmusic has gone on to become one of the most highly regarded house labels in recent years(with 60 plus releases to date), and Inland knights have gone on to become one of the most respected production outfits in the house world
By ’98 Laurence and Andy had made the inevitable step into production and the same year the Dropmusic label was born with the release of ‘Inland Knights vol 1’. As Inland Knights Riley and Ritchie undertook a busy schedule in the studio to write tracks for Drop (almost all of the early output was entirely Inland knights, despite many monikers).
Dropmusic has gone on to become one of the most highly regarded house labels in recent years(with 60 plus releases to date), and Inland knights have gone on to become one of the most respected production outfits in the house world
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