K. Leimer

Seattle-based composer K. Leimer has been making ambient and experimental music since the mid-'70s, releasing the majority of it on his own <a href="spotify:search:label%3A%22Palace+of+Lights%22">Palace of Lights</a> label. Inspired by the tape loop experiments of <a href="spotify:artist:7MSUfLeTdDEoZiJPDSBXgi">Brian Eno</a> and the free-form cosmic explorations of Krautrock groups such as <a href="spotify:artist:5mNY0NPszdalbrb4ITO3M8">Cluster</a> and <a href="spotify:artist:2CqEOngQOOMstJupNn6Hmf">Neu!</a>, he began creating similar sounds at a time when interest in these forms of music was virtually unheard of in the United States. Leimer's early releases included ambient albums like Closed System Potentials (1980) as well as more rhythmic works such as Land of Look Behind, a soundtrack to a 1982 documentary about Jamaica. Leimer also formed <a href="spotify:artist:6KqaBRXMb7bnQO0E1oRpc9">Savant</a>, an avant-funk/rock collective along the lines of <a href="spotify:artist:7yegFhKemMedsme3entsAW">Material</a> or <a href="spotify:artist:4iBOZeQKhT5NBsPxVXq7JL">the Golden Palominos</a>. Following a hiatus which lasted nearly two decades, Leimer relaunched his label near the beginning of the 2000s and resumed activity. By the mid-2010s, Leimer's music began attracting more interest than it ever had during the previous decades. <a href="spotify:search:label%3A%22RVNG+Intl.%22">RVNG Intl.</a> issued A Period of Review, a collection of previously unreleased works, in 2014, and Leimer continued releasing albums such as 2015's The Grey Catalog, in addition to remastered editions of earlier works.

Kerry Leimer was born in Winnipeg, Canada, and raised in Chicago before his family settled in Seattle in 1967. Interested in Dadaist and Surrealist art as a teenager, he discovered the work of experimental musicians who were making the audio equivalent of abstract art. He began buying cheap instruments and recording equipment, and started experimenting with tape loops, textural sounds, and unusual recording techniques. Leimer appeared on early cassettes by Anode (Robert Carlberg) beginning in the mid-'70s, and his earliest releases were on Anode Productions near the end of the decade. In 1979, Leimer and his wife, Dorothy Cross, established <a href="spotify:search:label%3A%22Palace+of+Lights%22">Palace of Lights</a> in order to help foster the growing community of experimental musicians in Seattle. Leimer's first LP, Closed System Potentials, was released in 1980. His second, Land of Look Behind, was the soundtrack to a 1982 documentary about Jamaican culture following the death of <a href="spotify:artist:2QsynagSdAqZj3U9HgDzjD">Bob Marley</a>, and combined ambient synthesizer textures with Nyabinghi drum rhythms. Around this time, Leimer was also active with his <a href="spotify:artist:6KqaBRXMb7bnQO0E1oRpc9">Savant</a> project, a collaborative studio project which explored funk, dub, and post-punk rhythms and made extensive usage of sampling, recalling <a href="spotify:artist:7MSUfLeTdDEoZiJPDSBXgi">Brian Eno</a> and <a href="spotify:artist:20vuBdFblWUo2FCOvUzusB">David Byrne</a>'s My Life in the Bush of Ghosts. <a href="spotify:artist:6KqaBRXMb7bnQO0E1oRpc9">Savant</a>'s only full-length, The Neo-Realist (At Risk), was released in 1983.

Following a few more releases that year, including the serene Music for Land and Water and the more rhythmic Imposed Order, Leimer went on hiatus from releasing music. He transitioned from analog to digital instruments and continued recording, but he didn't reactivate <a href="spotify:search:label%3A%22Palace+of+Lights%22">Palace of Lights</a> until 2002, when he reissued several of his older albums on CD, in addition to the freshly recorded The Listening Room. Several other Leimer full-lengths followed, including 2004's Statistical Truth and 2010's Degraded Certainties, and <a href="spotify:search:label%3A%22Palace+of+Lights%22">Palace of Lights</a> additionally released recordings by artists such as <a href="spotify:artist:1djAyc9eeS9920b5rDZ23e">Gregory Taylor</a> and <a href="spotify:artist:6jpmlBMb9q7F75J0yFxOnh">Marc Barreca</a>.

Leimer finally began to receive a significant amount of recognition around 2014, when <a href="spotify:search:label%3A%22RVNG+Intl.%22">RVNG Intl.</a> released A Period of Review (Original Recordings: 1975-1983), a collection of previously unissued pieces. The label also released a <a href="spotify:artist:6KqaBRXMb7bnQO0E1oRpc9">Savant</a> compilation titled Artificial Dance in 2015. Recordings 1977-1980, a double-LP reissue of some of Leimer's early cassette-released material, was put out by <a href="spotify:search:label%3A%22Vinyl-on-Demand%22">Vinyl-on-Demand</a> the same year. <a href="spotify:search:label%3A%22Palace+of+Lights%22">Palace of Lights</a> continued regularly issuing Leimer albums, including 2015's The Grey Catalog, 2016's Re-enact, and several collaborations with <a href="spotify:artist:6jpmlBMb9q7F75J0yFxOnh">Barreca</a>. Additionally, <a href="spotify:search:label%3A%22First+Terrace+Records%22">First Terrace Records</a> released Leimer's 2017 collaboration with <a href="spotify:artist:2aph9NhMeJOC5gxBilgiII">Like a Villain</a>, and <a href="spotify:search:label%3A%22Origin+Peoples%22">Origin Peoples</a> issued the Kosmische-style Mitteltöner in 2018. Imposed Order/Imposed Absence, a remastered edition of the 1983 album paired with unreleased material recorded during Leimer's extended hiatus, was also released in 2018. The dense, politically concerned Irrational Overcast was released by <a href="spotify:search:label%3A%22First+Terrace%22">First Terrace</a> in 2019. ~ Paul Simpson, Rovi