L'Arpeggiata

The early music group L'Arpeggiata has notched a two-decade record of success with innovative performances of early Baroque music that feature the irregular quality originally associated with the word "Baroque." The group has also performed and recorded music that explores the similarities between Baroque music and jazz and also between Baroque and traditional music. L'Arpeggiata has recorded for major labels, including <a href="spotify:search:label%3A%22Alpha%22">Alpha</a>, <a href="spotify:search:label%3A%22Na%C3%AFve%22">Naïve</a>, and <a href="spotify:search:label%3A%22Erato%22">Erato</a>. The group released the album Wonder Women on the latter label in 2024.

L'Arpeggiata was founded in 2000 by theorbo player <a href="spotify:artist:7xB7TQUAeFWgqdkhGiArgZ">Christina Pluhar</a>, who has spent much of her professional life in Paris but continues to teach at her alma mater, the University of Graz. The name L'Arpeggiata comes from that of a toccata by composer <a href="spotify:artist:3j1vfGPWtqgWj28ED2puXs">Giovanni Girolamo Kapsperger</a>. By the 2010s, the group had appeared at many of the world's top venues, including Wigmore Hall in London, Carnegie Hall in New York, the Concertgebouw in Amsterdam, and the Sydney City Recital Hall. They have appeared at major festivals, including the Ludwigsberger Schlossfestspiele, the Pontoise Baroque Festival, and the Musikfestspiele Potsdam Sanssouci, where they presented the opera Il Paride (1662) by Giovanni Andrea Bontempi. They have collaborated not only with top artists in the Baroque field, such as <a href="spotify:artist:17aC1wctGme2P8YC6LVov2">Philippe Jaroussky</a>, but also with musicians from genres other than concert music, including jazz and flamenco.

During the first part of its career, L'Arpeggiata recorded primarily for France's <a href="spotify:search:label%3A%22Alpha%22">Alpha</a> label, which specialized in sumptuously packaged recordings that drew parallels between music and art of a specific period. The group's first album for the label, in 2002, was devoted to cantatas by Stefano Landi, and the composer of its namesake work, <a href="spotify:artist:3j1vfGPWtqgWj28ED2puXs">Kapsperger</a>, received a full-length album treatment in 2004. In the late 2000s decade, L'Arpeggiata recorded several albums for <a href="spotify:search:label%3A%22Na%C3%AFve%22">Naïve</a>, but since then, it has worked primarily with the <a href="spotify:search:label%3A%22Erato%22">Erato</a> label. Examples of its eclectic Baroque-based fusions may be found on their 2014 album Music for a While: Improvisations on Purcell and on 2017's Handel Goes Wild. By that time, though deeply rooted in traditional Baroque practice, L'Arpeggiata had established a reputation as one of the early music scene's most adventurous ensembles. In 2019, L'Arpeggiata, under <a href="spotify:artist:7xB7TQUAeFWgqdkhGiArgZ">Pluhar</a>, released Himmelsmusik, which was nominated for a Grammy Award. The group has continued to issue unusual Baroque recitals, including Alla Napoletana (2021) and La Tarantella e un po'di follie (2022) on <a href="spotify:search:label%3A%22Alpha%22">Alpha</a>. For <a href="spotify:search:label%3A%22Erato%22">Erato</a>, L'Arpeggiata backed countertenor <a href="spotify:artist:17aC1wctGme2P8YC6LVov2">Philippe Jaroussky</a> on the album Passacalle de Follie in 2023 and Wonder Women, a collection of 17th century arias by and about women's experiences, in 2024. ~ James Manheim, Rovi