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<a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> cut his teeth in the '90s, first as a member of <a href="spotify:artist:1Pw3RkGGaIjBMRXbQQvz1p">Pony</a> (an average post-hardcore band with heavy debts to its inspirations) and then with <a href="spotify:artist:5EowVIt0s3wuKS6kB3g5zx">Speedking</a> (a much stronger, more unique band.) All the time spent toiling in indie rock took a toll on <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a>, but he built his own studio and became increasingly adept at engineering and producing other bands. While working on <a href="spotify:artist:10kGEgP8MxhlfeA2tMinsL">David Holmes</a>' Bow Down to the Exit Sign, he struck up a relationship with programmer/producer Tim Goldsworthy that developed into a partnership. By the end of 2002, there were several releases on <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> and Goldsworthy's <a href="spotify:search:label%3A%22DFA%22">DFA</a> label, most of which involved the duo in some capacity. LCD's "Losing My Edge," backed with an excellent neo-post-punk dance track called "Beat Connection," was one of them.
<a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> eventually scattered three other LCD singles throughout the end of 2004 and released the full-length LCD Soundsystem in January 2005. At the time of its release, the <a href="spotify:search:label%3A%22DFA%22">DFA</a> label was more popular than ever; <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> and Goldsworthy had remixes for <a href="spotify:artist:3KTzs16kNylBR78QZSkiyx">Metro Area</a>, <a href="spotify:artist:5wPoxI5si3eJsYYwyXV4Wi">N.E.R.D.</a>, <a href="spotify:artist:2n6FviARgtjjimZXu18uRM">Le Tigre</a>, and <a href="spotify:artist:7xNPROyVfkH4mcIxxCxySm">Junior Senior</a> behind them, as well as failed sessions with <a href="spotify:artist:26dSoYclwsYLMAKD3tpOr4">Britney Spears</a> that might have benefited from an interpreter. <a href="spotify:artist:4qwGe91Bz9K2T8jXTZ815W">Janet Jackson</a> was another unlikely admirer seeking the duo's assistance, but <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> didn't bother to follow up on her request.
<a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> did respond to Nike, who commissioned him to record a lengthy piece of music as part of a promotion. 45:33, released in October 2006, was aimed at joggers, but <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> later confessed that he didn't jog himself -- mixed martial arts were more his thing, he claimed -- and was driven by the opportunity to make something in the vein of <a href="spotify:artist:38KMWWA4MPJ6VxlO9kx6CU">Manuel Göttsching</a>'s early-'80s electronic landmark E2-E4. (<a href="spotify:search:label%3A%22DFA%22">DFA</a> would later issue 45:33 on CD, breaking the track into six parts and adding three additional cuts.)
The second proper LCD Soundsystem album, Sound of Silver, was released in March 2007. It contained <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a>'s most affecting songwriting and peaked within the Top 50 of the Billboard 200. Led by the single "Drunk Girls" and an accompanying Spike Jonze-directed video, LCD Soundsystem's third studio album, This Is Happening, was released three years later. Riding high on the acclaim the album garnered, the band toured the world with fellow dance-pop group <a href="spotify:artist:37uLId6Z5ZXCx19vuruvv5">Hot Chip</a> for much of 2010. While in London on June 29 of that year, the group recorded a full-band session at Miloco Studio. The freewheeling recording of the show was released by <a href="spotify:search:label%3A%22DFA%22">DFA</a> as London Sessions in January of 2011. Right around this time, <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> announced that he was retiring the LCD Soundsystem name. The band played a farewell show at a sold-out Madison Square Garden in New York on April 2, 2011 and released the set the following year as The Long Goodbye: LCD Soundsystem Live at Madison Square Garden.
In the years following, <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> kept very busy with a variety of projects. He produced <a href="spotify:artist:3kjuyTCjPG1WMFCiyc5IuB">Arcade Fire</a>'s Reflektor, remixed a <a href="spotify:artist:0oSGxfWSnnOXhD2fKuz2Gy">David Bowie</a> track, designed special 11-foot tall speakers for DJs, created his own brand of coffee, opened a wine bar, and did the score for Noah Baumbach's film When We Were Young. In late 2015, rumors began circulating that LCD was re-forming, but these were quickly shot down by the band's label, <a href="spotify:search:label%3A%22DFA%22">DFA</a>. These denials proved to be a smoke screen and the group issued a new single, "Christmas Will Break Your Heart," before the year's end. Soon after, they announced plans to headline Coachella, play a series of live dates, and release a new album in 2016. While the effort did not materialize that year, LCD did deliver a pair of songs in May 2017, "Call the Police" and "American Dream." They proved to be the first singles from American Dream, the band's fourth proper album. Featuring <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> playing most of the instruments, with help from live band members multi-instrumentalist Al Doyle, vocalist <a href="spotify:artist:0xDT2bQJYfy8CYs8JlmH3B">Nancy Whang</a>, keyboardist <a href="spotify:artist:47bza08PYdqPcVMAkPJUfT">Gavin Russom</a>, bassist Tyler Pope, and drummer Pat Mahoney, the record was released in September of 2017 by the band's new label home <a href="spotify:search:label%3A%22Columbia%22">Columbia</a>. It was their first album to reach the top of the Billboard Charts and the song "Tonite" won a 2018 Grammy Award for Best Dance Recording. While the band was out touring the world behind the album, they stopped at Electric Lady Studios in New York to record part of their live set (along with covers of <a href="spotify:artist:5PYuBRQMHh7nWmdV076sH9">Heaven 17</a>'s "(We Don’t Need This) Fascist Groove Thang" and <a href="spotify:artist:1aX2dmV8XoHYCOQRxjPESG">the Human League</a>'s "Seconds") for posterity under the title Electric Lady Sessions. The LP was released in early 2019 by <a href="spotify:search:label%3A%22DFA%22">DFA</a>.
The band went on hiatus soon after, with <a href="spotify:artist:03XnX4XEVVtZNUBSdUlzsB">Murphy</a> stating that the group had no interest in touring again until they had released another album. They did soon decide to play a residency in late 2021at Brooklyn Steel, minus <a href="spotify:artist:47bza08PYdqPcVMAkPJUfT">Russom</a>, who had left the band. They also put together a sitcom/live performance/art piece with the help of Eric Wareheim that aired on Amazon, then the group appeared on Saturday Night Live in early 2022. All this activity spurred them to make plans for another series of live shows consisting of multi-night residencies across North America and England. They also went into the recording studio to record a track -- the typically propulsive "New Body Rhumba" -- for the soundtrack to Noah Baumbach's 2022 film White Noise. In late 2023, they launched a tour of their hometown, playing a dozen shows at various locales across the city, then did the same thing a year later. They also released "X-Ray Eyes", a robotic dance track that served as advance notice for the group's forthcoming fifth album.~ Andy Kellman & Tim Sendra
Monthly Listeners
2.7 million
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Followers
1.3 million
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Total Streams
1.1 billion
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