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Liam Aldous is a Vancouver-born, Toronto-based artist whose music traverses the worlds of pop songwriting, ambient sound design, and laptop-oriented glitch music.
Hailing from a musical family, Liam got his first DAW-equipped MacBook Pro at the age of 13 and, after learning a multitude of different instruments throughout childhood, immediately began recording and self-releasing his own music to the internet. Throughout his teen years, various monikers and projects took him through the worlds of lofi hip-hop, basement studio slowcore and self-produced Post-Rock (as Doors To Dionysus). He also plunged headfirst into Vancouver's regional youth punk, jazz, metal and orchestral circles as a prolific multi-instrumentalist.
At the age of 18 he released his first album under his own name, 2025's 'Osou,' a 39-minute mosaic of ambient, glitch, and electroacoustic music reminiscent of early 2000s microsound and EAI. Osou was followed up in January of 2026 with 'No City Could Sound,' a record that took the clicks-and-cuts textures and granular atmospheres of Osou and recontextualized them into an album of vocal-driven ambient pop music. The album's recording coincided with his move to Toronto, to pursue a Bachelor's Degree in Music Composition at the University of Toronto.
Liam encourages his listeners to rethink what is considered "wrong" or "ugly" in music; be it glitch, static, silence, or noise. They can be catchy sometimes.
Hailing from a musical family, Liam got his first DAW-equipped MacBook Pro at the age of 13 and, after learning a multitude of different instruments throughout childhood, immediately began recording and self-releasing his own music to the internet. Throughout his teen years, various monikers and projects took him through the worlds of lofi hip-hop, basement studio slowcore and self-produced Post-Rock (as Doors To Dionysus). He also plunged headfirst into Vancouver's regional youth punk, jazz, metal and orchestral circles as a prolific multi-instrumentalist.
At the age of 18 he released his first album under his own name, 2025's 'Osou,' a 39-minute mosaic of ambient, glitch, and electroacoustic music reminiscent of early 2000s microsound and EAI. Osou was followed up in January of 2026 with 'No City Could Sound,' a record that took the clicks-and-cuts textures and granular atmospheres of Osou and recontextualized them into an album of vocal-driven ambient pop music. The album's recording coincided with his move to Toronto, to pursue a Bachelor's Degree in Music Composition at the University of Toronto.
Liam encourages his listeners to rethink what is considered "wrong" or "ugly" in music; be it glitch, static, silence, or noise. They can be catchy sometimes.
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